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Go Further Back In Time

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4-Squares “Steve's Hamper”
999 “Biggest Tour In Sports / Biggest Prize In Sports”
The Adicts "Rise & Shine" LP
Antiseen “Drastic / E.P. Royalty”, “Eat More Possum”
The Barnshakers “5 Minutes to Live”
Beavershot - self/titled CD
Big John Bates "Mystiki"
The Big Heat “The Good, The Bad & The Nutty”
The Blasters “Trouble Bound”
The Bone Machine - “Il Diavolo L’ha Preso” 7”
The Boppin’ Kids “Go Wild! / Just For Fun”
Bouncing Souls / Antiflag - Split CD
The Brokedowns “Let the Disappointment Begin”
The Butchers “Flesheating Twist”
The Cellar Beasts - Self-Titled CD
Chicken McHead - Self/titled EP
The Class Assassins “State of Emergency”
Cocknoose “Badmen, Butchers, and Bleeders”
Cruel & Unusual “Killtime”
The Deadcats “Bad Pussy”
Dee Dee Ramone / TerrorGruppe - Split CD EP
Deke Dickerson “3 Dimensions”
Devil Doll “Queen of Pain”
Dixie Buzzards - self/titled 10"
Dixie Gunworks “Rockin' Tales”
Dragstrip Demons “Rise of the Panther”
The Epoxies - S/T EP
Estrume'n'tal “Surfme'n'tal”
Evil Devil - Self-titled CD
Exit Wounds - demos
Fifty Foot Combo “Caffeine”
Thee Flatliners “Pandemonium”
The Forgotten “Control Me”
Frenzy “Dirty Little Devils”
G.B.H. “Leather, Bristles, Studs, and Acne”
G-String “Punker Loser Drunker”
Guitar Gangsters "Another Day in Pleasantville"
The Harlots - self/titled EP
The Headhunters ”Escape the Grave” 7"
High Noon “What Are You Waiting For?”
Hillbilly Moon Exposion "Introducing the..."
The Hollywoods “Do the Hypnotic Walk” 7”
The Home Team “Time & Place”
Hot Club of Cowtown “Ghost Train”
The Housewreckers “Wrecker’s Party”
Jesus Skins “Unser Kreuz Braught Keine Haken” LP
King Voodoo “Voodooville”
Kings of Nuthin' 7"
The Krays “A Time for Action” CD
Krypton 88 - Self/titled
Last Call Brawlers / High Rollers split 7"
Mad Masato “Just Moving On”
Madcap “East To West”
The Madheads “A Naked Flame”
Million Dollar Marxists - debut CD EP
Misssissippi Fred McDowell “Momma Says I'm Crazy”
Moonshiner "The Brooklyn Connection"
The Mutants / Nieminen & Litmanen - split 7"
The Mutants “Timba Am Gaya / Lai-thong” 7”
The Negatives “Rules and Regulations”
Nox "Rcok'n'Roll Monello" CD EP
One Man Army "Rumors & Headlines
Paul Galaxy & The Galactix “Cross the Line”
Philadelphia Experiment - 4 song Demo
The Pitmen "Welcome to the Show"
Pressure Point "To Be Continued..."
The Rebels “Torn & Frayed: The Best of the Rebels”
Red Card - Self/Titled CD
Red London “The Soundtrack Of Our Lives”
Reddy Teddy Young - demos
The Riotears “Radioactive Rapsodies”
The Roustabouts “The Only One”
The Sharks "Live In Japan"
The Siberian Mad Dogs “Vodka & Kalashnikov”
Sloggy “Lo Fi Tracks for Highway Cracks” 7”
Spazm 151 Self/titled CD
The Supertones “Supertones Are Go!”
The Terrornauts - 5 song EP
The Tin Cans “Listen Up!”
The Tower Blocks “Praise Your Ghetto”
Toxocaras/Pagan Dead - Split CD
Trip Daddys “Hot Chicks and Fast Kicks”
Up To Vegas "For Once and All"
Whiskey Rebels - Self-titled CD
Wrecking Dead - Self-Titled CD
Various Artists - "Knock Out in the 6th Round"
Various Artists “Addicted to Oi!”
Various Artists - "Punch Drunk IV"
Various Artists “It Came from Hell vol. 4”
Various Artists “Love & Rebellion”
Various Artists “Guillotined at the Hangar”
Vortis “Take the System Down”
Various Artists “Motormadness” 7” EP
Youngang Self-titled 7” & “Il Santo” CD

The Hillbilly Moon Explosion
“Introducing the Hillbilly Moon Explosion”

Crazy Love Records

Wow, these guys are great! Dual vocalists Emanuela Hutter and Oliver Baroni give this unique sounding band that extra something that puts them heads above the rest. Highly influenced by early rock n roll, rockabilly and 50’s girl groups The Hillbilly Moon Explosion get you hooked with the first song “Chick Habit”, which to me is straight out of The Dixie Cups/Crystals culture with Emanuela taking the vocals and keep you hanging on right till the end with “Nothin’ But You” a hillbilly, Southern Culture sounding rock tune. There are 13 cuts on this disc and I really enjoy them all. There are covers of the classic “All I can Do Is Cry” the Shangri-Las “Remember (Walking in the Sand)” as well as a spoof on “Leader of the Pack” called “Johnny Are You Gay”. I think I am in love with this band. These guys are excellent musicians who have put together a disc that I am going to wear out in my player. –Lisa Marie

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V/A - “Knock –Out In The 6th Round: Eternal Scars”
7"s

Knock Out Records

Not only do you get a compilation with 22 different bands to drill you in the brain, you also get some of the coolest liner notes. A twenty two page booklet filled with vintage prints of tattooed ladies and men from around the WWII era can captivate my attention for quite a bit! As for the music on the disc, you get a nice variety of music ranging from the punkabilly sounds of the Small Town Pimps “Sex Slave”, to Irish –folk sounding tunes such as The Porters “Galway Bay.” Most of the music is of the punk/Oi! vein including bands such as 4 Promille, Bonecrusher, Oxymoron and Argy Bargy. You get a fun cover of “Run Run Rudolph” by the Yobs and a not so good cover of “Ring Of Fire” by F.B.I. A surprise to me was the band Jesus Skins who take the last track and are a really rocking Oi band that likes Jesus and aren’t afraid to sing about it. Amen, mah bruthas! There were a couple of songs that I didn’t really care for, like “Follow The Leader” by Menace and that Cash cover. Overall, this is a disc worth spending a few bucks on to drink a few beers and hang out with your friends to. –Lisa Marie

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Pressure Point
"To Be Continued..."

GMM Records

I haven’t been a big fan of Pressure Point’s previous releases, but this one really plunges the knife deep into the heart of the half-ass punk rock scene. The vocals have really developed into something that sounds less forced, but quite savage and powerful. The songs are put together well and vary in tempo and mood, and the bass player is really proficient. While the band hails from Sacramento, they seem to have distilled what is good from the West Coast scene and left out what inspires jack-off pantomimes. The songs are also well-written and come off sincere, especially on the introspectively wise “Face In The Mirror” about someone who has problems inside and takes them out with a violent disposition towards the world. “In the mirror I see another’s face / A soulless tyrant from another place / The man I was and hoped to be / Has been replaced by the enemy … A fragile ego and a shortened fuse / A war without end I was bound to lose.” Elsewhere, “C Street Pass” paints another vivid picture of a broken man drinkin’ on the railroad tracks with a gun, after being destroyed by a woman he loved. Other songs take on larger issues with equally powerful conviction, such as “The Ballad of Richard Davis,” which is apparently about a man back in the late 1800’s who fought for both black and white miners to unionize. ‘The Great Divide” opens with Mark Lindskey (Hudson Falcons) playing the harmonica, and moves into a song about a man who “waged a war with the emptiness inside / A vacant soldier, a façade of pride,” but who draws inspiration from the hardships and nobility of a better man molded from the era before the Depression and Second World War. Pressure Point is able to mix heart and crafted lyrics with music that is aggressive without being tough guy bullshit. A winning combination. – BL

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Up To Vegas
"Man's Ruin"

Knock Out Records

This is a crazy 4 track demo of an intense band that I’m still not quite sure what I think of them. They are a kind of psychobilly, metal mix with vocals that don’t really agree with me. It could be that the upright isn’t loud enough, or that the songs kind of drone on for almost 4 minutes without much interesting guitar work or solos to break it up. Whatever it is, I’m not really feeling this. They do a cover of Motorhead’s “The Hammer,” and Lemmy produced and engineered.this disc. –Lisa Marie

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The Epoxies
S/T EP

New Wave music for the most part never kindled much of a fire in me, but The Epoxies demonstrate that its explosive potential was just waiting to be fully realized. Or maybe I was just listening in the wrong places before. Fronted by singer Roxy Epoxy, and backed by drums, bass, guitar and of course synthesizer, these 5 songs issue forth enough electricity that it is almost impossible not to feel a jolt. The two 7”s included on here feature covers of Adam Ant and Alice Cooper. Infectious and recommended. - BL

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Fifty Foot Combo
"Caffeine"

Drunkabilly Records, drunkabilly@planetinternet.be

Fifty Foot Combo call Belgium home sweet home, and they play outstanding instrumental surf music on this, their third album. Actually, just labeling it “surf” does them a disservice, since they incorporate a wide variety of sounds to forge their own identity among a scene awash with cliché-driven mediocrity. One of the most salient features of this band is the incorporation of a Hammond organ, as well as some interesting percussion and varied approaches and guitar sounds. As their bio states, they perform “hard-stompin’ surf music, Euro-instro, African voodoo, swinging mambo, sixties fuzzpunk, slowgrindin’ exotic rhythms, powersoul and soundtracks, even a dash of psychedelica.” I couldn’t have said it better myself… hence the quote. Personally, I would say this is extraordinary work that gets better with each listen. Fans of instrumental music will want this in their collection. – BL

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The Sharks
"Live In Japan"

Crazy Love Records

Seventeen tracks of original psychobilly from one of the founding groups is presented to you here from a live show in Japan for your pleasure! Formed in the late 1970’s, the Sharks have a new album in the works and this live album shows how this band has managed to keep fans rocking for 25+ years. Live In Japan is filled with very high quality recordings from their second Japanese tour from 1998 with songs like “Crazy Maybe”, “Cold Heart”, “Phantom Rockers”, “Morphine Daze”, “Schizoid Man” and the instrumental “Surfcaster”. Of course this album isn’t as abrasive as the newer wave of psychobilly, but if you are a fan of the roots of psycho and are into Frenzy, The Quakes, and that sort, be sure to pick this up. –Lisa Marie

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The Madheads
"A Naked Flame"

Crazy Love Records

I’m not too sure what I would call this kind of music. I mean there is an upright bass that gets pounded, and there are some hard elements of psychobilly, but there is also ballad-like singing, soothing guitars, trumpet and saxophone. This disc has some real good tracks, but then it has some real bad tracks (“Flew Away” and “The Road”). Some of the decent tracks are “Over My Dead Body” which is a rock n roll tune with some great guitar work, “The Wave 999” which is a kick-ass surf instrumental, and the same with “Pukr Goes Surfin’”. Personally, I think they do surf instrumentals top notch and should stick to that. But hey, who the hell am I? -Lisa Marie

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Frenzy
“Dirty Little Devils”

Crazy Love Records

What a great CD of psycho from a band that has been around the block a few times. These guys still have the intensity they did years ago and this disc proves it. It’s also pretty refreshing that the members of Frenzy don’t look like every other psycho band out there. This disc is really awesome though especially since there is a cover of “Burning Love” and “Fly Me to the Moon” which is an old Frank Sinatra cover. You also get “Mirror in the Bathroom” which has an old reggae feel to it with a saxophone thrown in, “The Truth” and “Caught Out” which are my favorite tracks on here. Awesome! –Lisa Marie

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Dragstrip Demons
“Rise of the Panther”

Crazy Love Records

The Dragstrip Demons have finally sunken their teeth into the psychobilly scene with a spectacular, unflinching album that’ll surely garner them esteem from psychos, punks, and fans of aggressive music in general. The upright bass playing on this is sinfully astounding, the guitars distorted and raw, and the seering vocals are lodged perfectly between. What I like about this is that it harkens back to the days where punk wasn’t too polished and overly melodic, but instead cut into you with the subtlety of a chainsaw. Just raw energy. - BL

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Various Artists
“It Came From Hell Volume 4

Crazy Love Records

Here’s a psycho comp that has a wide variety of sounds from more heavily punk to the more ‘billy, as well as different ethnic and folk sounds, showing the diversity and creativeness of the genre. It starts off with Hungary’s Gorilla doing “Flamenco Death” which is an amazing song – who ever heard acoustic flamenco guitar accompanied by manic slap bass? Later on they also do an incredible, searing rockabilly number called “My Zombie Horse,” clinching them as one of the genres most over-looked and impressively talented band. Ukraine’s Mad Heads deliver also with “Poletayem,” a song in their native language with a very different exotic feel. Elsewhere, the Wild Rats provide some great stripped-down Cramps-ish ‘billy, Gotham bruises you with some high speed upright hardcore then later a ska-tinted tune, and the Voodoo Devils pound out a pretty cool lo-fi rhythmic instrumental. Other bands on here are Chibuku, Dragstrip Demons, Up To Vegas, Pitmen, Slap ‘n’ the Cats, Wrecking Dead, G-string, Butchers, and more. Some of this loses its fizz, but there’s a good amount of rockin’ to make it worthwhile. - BL

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G-String
“Punker Loser Drunker”

Crazy Love Records

This psycho band from Paris has less ‘billy than punk rock affectations, which are delivered by a solid, very tight, rhythm section. They sing in English, albeit with a strong accent, so there is no language barrier to hurdle. Often lyrics express simple sentiments such as the repeated chorus of “Fear In Your Eyes” that says, “you can go to hell for all I care.” Musically, they don’t rely too much on a patented psychobilly sound, but instead they carve out their own identity while moving from psycho to hardcore, with even moments using some ska and jazz chords. As they explain on the rip-roaring Too Dead: “we are three bastards, and proud to be it! We fuck Art and Normality.” They claim a host of influences ranging from Mad Sin and Nekromantix to Lunachicks, Fishbone, and the Dwarves. While some songs can get a bit repetitious, this is worth checking out. - BL

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King Voodoo
“Voodooville”

Crazy Love Records

These UK rockabillies can stroll with a Vegas swagger without being overly suave pretty boys, nor forgetting the hillbilly country twang. Vocalist Eddie Gene has a great voice full of attitude and urgency, and the band as a whole has a vitality that adds to the rockabilly idiom as they cruise through rambunctious rockers and strutting creepers. This is excellent; I keep putting it in the player. You’ll like it. - BL

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The Pitmen
"Welcome to the Show"

Crazy Love Records

This disc has elements of ‘billy as well as folk sensibilities. The Pitmen play mostly clean/acoustic guitar with upright bass and take a mid-tempo, sometimes brooding, approach. The voice takes a little getting used to, but isn’t too bad once you acquire the taste. All songs are in English with the exception of the great “Öfter Als Man Denkt,” sung in German with banjo accompaniment. “Tengo Flato” is wonderful instrumental with a strong hillbilly aftertaste and some wailing guitar. “Through With You” has a kind of Spanish/flamenco acoustic guitar sound, while simultaneously being the angriest song on here. Topically, they are interesting as well, not dealing out layered cliches. Instead, “Seamus MacDundy” is about a blacksmith whose male descendents were cursed by a witch who had complained of her work being late, so he fled to America. It is a dark sounding tune, and one of my favorites on here, actually reminding me a little of Nick Cave. Other songs are about an ordinary man looking for work after being cast aside by his employer after years of faithful service, or tell the story of a persecuted old Irish medicine woman who helped folks not for money, but for food. The latter has a tinge of spirituality, since her presence can still be felt in the “silence and the haze” of her abandoned abode. There is also a song about being obsessed with Fran Drescher, and even one about breaking up the boredom of a dull evening with the murder of stranger. All in all, some pretty cool stuff, but some of the songs lose their fizz, and I really don‘t like the female backing vocals that come in throughout. - BL

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Thee Flatliners
"Pandemonium"

Crazy Love Records

Thee Flatliners are from Austria, and seem to have changed their sound a bit from what I’ve heard of them in the past. Where they used to have more neobilly influence, here they have moved away from the ‘billy and strike me more as a Nekromantix knock-off. That’s not to say that they aren’t good at it. This album is filled with great guitar riffs that fall somewhere between Nekromantix and Iron Maiden, as well as competent bass thrashing on a unique upright that resembles some sort of instrument of death. The vocals, while decent, sound vaguely vapid at times, perhaps due to an effect or the way the disc was mixed. The songs seem to have a strain of industrial seeping in also, especially on the opening title track, which is my favorite. The vocals on that one sound like a processed deadly cyborg voice, and the music goes nearly death metal with lots of changes. The last track on here is a fitting cover of Billy Idol’s “Rebel Yell,” which I think fits the mood they are going for here nicely. In the end, I’d say this is an okay album because I am sucker for the metal-influenced guitar work and chugging bass. I just think the production sounds a little boxed in, and that they should worry a little about appearing to ride the coattails of the Nekromantix. - BL

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G.B.H.
“Leather, Bristles, Studs & Acne”

Crazy Love Records

Originally released in 1981 as a mini LP “Leather Bristles Studs and Acne” is re-released for you and includes the hidden track “Alcohol” (first time on CD ever!) and 6 bonus tracks all from the early ‘80’s gathered from various GBH 45’s. This is the bands first recording and shows why they helped catapult the punk movement into chaos. I’d have to say my favorite song (next to “Alcohol”) is “Necrophillia”, ‘Make love to you your eyes are closed/Your body is rotting it’s decpmposed/Your hair is tangled in a spiders web/You’re dead/No remorse/Screw the corpse’. A total of 15 tracks including “Sick Boy”, “No Survivors”, “State Executioner” and “Knife Edge” make this a must have! -Lisa Marie

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The Wrecking Dead
“Self-titled”

Crazy Love Records

This Swedish band plays a somewhat poppy street punk with an upright – imagine edgier Bouncing Souls with a bigger bass. They do a good cover of Dropkick Murphys and a Misfits medley. The lyrics are pretty shallow about the generic macho punk topics – I’m an ultra-violent hooligan with boots, let’s fight and riot type stuff. They do work in the word “psycho!” here and there, though (haha). That said, many of their songs are undeniably catchy, and they seem very enthusiastic about what they do. I think with some better lyrics that avoid such annoying clichés that they’d be a band I’d come back to. - BL

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The Tin Cans
“Listen Up!”

Crazy Love Records

These Germans play an upbeat rockabilly with a down-South hillbilly sound. They hit you with some fearsome twangy finger-pickin’ leads and lowdown rhythms that rattle in your head like a devil snake on the prowl. Another plus is that most of the fifteen songs are originals, peppered with covers of “Secret Agent Man” and “Seven Nights to Rock.” They mix tempos pretty well also, moving from the sad, falling-out-of-love cowboy country number, “Waving You Goodbye,” to the comic balding rocker tune “Hair Losing Boy.” Fans of traditional-sounding rockabilly take notice of these guys. They are rooted enough to please the hipster greasers, and infectious enough shake the ass of most anyone else. - BL

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Cellar Beasts
“Self-titled”

Crazy Love Records

I believe this band is from Finland, and they have a heavy psycho sound sliced up with some creepy guitar tones and devil bat vocals. The choruses retain a melodic aspect, though not in a nauseating way. All the songs deal with horror themes, and are carried off quite well, accompanying the band’s music appropriately. The final hidden track brings out the most clean ‘billy feel with a waggish song about barnyard love. Overall, this isn’t a bad listen. - BL

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The Siberian Mad Dogs
“Vodka and Kalashnikov”

Crazy Love Records

This is some remarkable work. Even their cover songs are renovated in such a way that they sound fresh, crawling into your ears like alien larvae looking to nest inside your brain for years to come. The music itself lurches and prowls inside of perfect production values that give the album a feel of coming through an old phonograph. These guys are truly insane, or at least eccentric, a quality I find endearing. Apparently they are from Denmark, but I believe the singer at least is originally from Russia. I know the upright bassist, Kim Kix, is from the now defunct Danish psycho band Godless Wicked Creeps, though. The singer/guitarist, Alex Riabokon, has so many facets that it sometimes startles you. The creepiness of “Santa the Ripper,” which sounds like Tom Waits playing polka with satanic elves, is only surpassed by the brilliant take on the swing classic “It Don’t Mean a Thing.” Their version of the latter is so far from the original that it seems to have come through a portal from a scary universe where hunchbacked night creatures driving long black hearses control the music trade. Riabokon plays his guitar clean with varying levels of reverb, but mostly gets his sound from an eclectic mixture of blues, rockabilly, jazz, ska, classical, and I suppose Russian folk melodies and phrasings. The rhythm section pulls off some of the most contagious beats while remaining eloquently understated and simple. “Alcohol” reminds me a bit of the shaky Lux Interior/Charlie Feathers vocal stylings, yet there is something more mesmerizing about Siberian Mad Dogs. Perhaps the strangest tune on here is called “New Interpretation,” which has a smooth Latin jazz feel with soft, high singing and featuring tranquil trumpeting. There is also a wild version of the Rolling Stones’ “Get offa My Cloud,” as well as “King of the Mountain,” which is actually based on a classical piece by Edvard Greig. They also do one called “Whiskey Bar,” which is a slanted take on “Alabama Song” that you probably heard the Doors cover, but originally came from a German opera by Kurt Weil called “Aufstieg und Fall der Stadt Mahagonny.” In addition they do “Slippin’ In,” which was done in the 50’s by both Lou Millet and Eddie Bond, and “Blue Moon Baby” by Dave “Diddlie” Day, but is better known these days for the Cramps’ version. Anyway, the vocals on this disc switch up constantly, ranging from a low drawl to psychologically twisted voicings that, combined with the exoticism of the music, will pull you away from normality like a team of sled dogs pulling at you with the gravity of sin. - BL

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Dixie Gunworks
“Rockin' Tales”

Crazy Love Records

These guys sound so American that you’d think they grew up tongue-kissing armadillos in the Deep South. But you’d be wrong, since they are from Germany and just have an uncanny feel for country and Americana music. Some of this, though, sounds really weak, almost like commercial country, though not quite that bad. However, a lot of these songs are excellent, which makes them a hard band to understand. The first track, “Camilla,” falls flatter than the Midwest for me, but then the second track, “Wrecked Cadillac,” is amazing. The whole album jumps around like that, but I think the tally ends with way more good than bad tunes. The band is extremely talented all around, with some great guitar playing that runs from country to bluegrass, to honky tonk, to blues, with some good slap bass, and even some pedal steel. There are a couple fantastic instrumentals that’ll have you smilin’ for sure. They also craft some good story-time lyrics about living in a gold rush mining camp, a tale about Sergej growing up in Nebraska to be high caliber criminal, or just going to the hometown bar where the fat girls are and raisin’ hell. Not bad. – BL

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Various Artists
“Addicted to Oi!”

Captain Oi! Records

Here’s a new 20 song compilation of Oi! bands, some from back in the day, and some newer bands. The disc starts off with a good anthem from Discipline, then a so-so track by Cockney Rejects (I didn’t realize they were still around)… then on to a couple strong tracks by The Business and Argy Bargy. The real stand-out cuts, though, are by Klasse Kriminale, Foreign Legion, Crashed Out and Special Duties. There’s also several mediocre cuts from Slaughter & the Dogs, Menace, and others. The Filaments donate a pretty decent ska song, and The Crack does well with The Animals’ “House of the Rising Sun.” All in all, a fairly decent compilation. – BL

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Evil Devil
Self-Titled CD

Crazy Love Records

Evil Devil may have a funny name, but their music is top notch. This is Italian psychobilly with guitars going from pretty clean to nice and muddy, and unique vocals that remind me of the old punk rock comps I used to get from around the world. I was introduced to this band by a friend of mine in France who sent me a recording on cassette, which had in addition to these songs a great cover of “La Isla Bonita” done by Madonna originally (I think). That’s song’s not on here, but this disc is still a great selection. My favorite cut is their namesake anthem that sounds a lot like their fellow Italians, Nabat, albeit with the welcomed addition of slamming upright bass. Every time I hear that song I want to go into a destructo-frenzy and wrestle a pit bull. Another great track is “Halloween,” which threatens to make you spontaneously combust. “I Can’t Stop” and “Livin’ in Far West” are also excellent songs, but then I like them all. There’s just something inexplicable about this CD that you don’t get in most music these days. More satisfying than a Las Vegas hooker. - BL

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Guitar Gangsters
“Another Day in Pleasantville”

Captain Oi! Records

This English band plays a pretty melodic mid-tempo rock in the vein of One Man Army. Some of this isn’t bad, but it really doesn’t do a lot for me. They do a cover of “Bad to the Bone” and “Moose” sounds like a rip-off of “White Wedding.” I’m not sure how old these guys are, but it sounds like another old punk band that has lost its steam, like Red London or Angelic Upstarts. Bland, but not puking-on-your-shoes awful. I wasn’t interested enough to listen straight through. - BL

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Cocknoose
“Badmen, Butchers and Bleeders”

TKO Records

Originally released in 1992 as a collection of their early 7”s, this reissue by Kansas’ scum rockers Cocknoose also includes some later bonus-track covers by Joan Jett and GG Allin. The guitars are dirty like a hooker’s panties and you can almost smell the Wild Turkey. In fact, this could probably pass for an Antiseen album, though a notch better. Some cuts do more for me than others, though, with some being outright stupid like the hidden track #69 where he sings “my dick’s gonna make you a star.” Track #99 is either chickens or backward messages, or maybe chickens giving backwards messages. What could be more disturbing than that? - BL

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The Krays
"A Time for Action"

TKO Records

Here’s a punk band with an East Coast sound and a touch of 80’s flavor without sounding like every other band on the same mission. They successfully keep the spirit going without playing the punk rock by the numbers game. The lyrics attain some political consciousness without sounding phony or academically distanced, and there are also more personal tracks, such as “She Said” about regret in pushing away someone you care about. The music is generally fast and urgent, and the singing isn’t screamed, but sort of sung-spoken. There is also a great cover of Toxic Reasons’ “No Pity.” Pretty solid stuff. - BL

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The Forgotten
“Control Me”

BYO Records

The new CD by the Forgotten comes off a bit more dressed up and produced than emanating the same naked urgency as their “Ask No Questions” release. Here they really sound West Coast (yeah, I know they are from there), with a bit of a slowed-down Rancid feel. While there’s nothing notably bad about this, it just doesn’t elicit any neural fireworks in my nucleus accumbens. Topically, “Our Response” kicks some dirt on the bandwagon-patriot crowd, while “Social Security” laments our digitized existences where our every financial transaction can be tracked and profiled. “Retro-fitted” shows them annoyed by people that call the band a throwback to different time by playing this style of music. I hear that kind of shit sometimes too, about “old school” punk rock and rockabilly being products of a bygone and dead era. Although both can often become more restrictive than expressive (sometimes downright anti-creative), there is definitely more to both genres than people hung up on a supposedly idyllic yesterday. That said, while The Forgotten are not reinventing the wheel with this release, and for me it comes pretty lackluster, it’s still a respectable endeavor not completely without merit. - BL

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Whiskey Rebels
Self-titled CD

GMM Records

The name alludes to the Whiskey Rebellion of 1794 in Western Pennsylvania where farmers violently opposed a federal tax on liquor. The unrest culminated in President Washington who, leading a force of 12,950 militiamen, effectively squashed the conflict, helping to further consolidate Federal authority among many States reluctant to relinquish their sovereignty. At any rate, this CD contains razored, street-level punk rock done right. The vocals are harsh and abrasive, yet with range and feeling, and the music is hard-hitting Oi-core with elements of rock’n’roll. The lyrics aren’t too interesting for the most part (lots of Sacramento pride, oh yeah), but that easily forgivable. They strike many delicate balances: tight and talented without sounding bland or sterile, shout-along choruses without incessant repetition, aggression without coming off as one-dimensional steroid monkeys, and the songs are varied enough in tempo and style to be listenable all the way through. Another big score for GMM. - BL

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Mississippi Fred McDowell & Johnny Woods
“Momma Says I'm Crazy”
Fat Possum Records

Although Mississippi Fred McDowell (1904-1972) didn’t get the acclaim he deserved until he was “discovered” in 1959, he had played his hypnotic, unrepentantly old-fashioned blues since he was 14 years old. He brings to mind more of the juke joint sounds of the 30’s than the updated styles of many of his contemporaries, and is known for playing open chord tunings with his steak bone slide, inspiring everyone from The Rolling Stones to R.L. Burnside. This CD is a pairing of him and Johnny Woods, a talented harmonica player, recorded inside a two-room house on a Sunday afternoon in 1967. The result is a powerful, unrehearsed, stripped-down masterpiece of essential blues that makes you remember what is so great about music. After being acknowledged and recorded late in his life, Fred McDowell was able to play in the U.S. and Europe for large crowds. But before that he spent most of his life farming and working at a service station in Como, Mississippi, playing at fish fries, picnics, and house parties for 30 years. All of that culminates in a style void of pretension yet glowing with its own life force. - BL

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The Terrornauts
“5 song EP”

Tuna Forsushi Records

This is the first release on the new Tuna Forsushi Records, and is a 5 song EP by a band formed of punk rock veterans currently residing in Florida. They play punk rock’n’roll dosed up on surf and garage, and that thankfully doesn’t sound sterile like it was recorded in some state-of-the-art wonder studio. The singer and style actually reminds me a bit of old Fear. Choice cuts are “Surfin’ Uranus” and “Whatever You Want.” Not bad stuff. - BL

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The Supertones
“Supertones Are Go!”

Golly Gee Records

Talk about drowning in a tidal wave of surf! Here you get two of the Supertones albums (The Wet Set and Ride The Wild Twang!) on one disc plus 3 bonus tracks for a grand total of 32 songs. Filled with plenty of originals and lotsa covers this CD will surely send you into Polynesian bliss. Whether it’s the Spanish sounding “Surfiesta” or a cover of The Ventures these guys really know how to work their instruments and belt out some great traditional surf. Some songs that get me twistin’ are “Sand Pumper”, “Last Ride” and “Walk, Don’t Run”. Because of the sheer volume of music presented on this disc it would be impossible to note every great track, so just take my word on it and get this. –Lisa Marie

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Estrume'n'tal
“Surfme'n'tal”

Golly Gee Records

Metal-surf-punk? Sure, but these Brazilian surf-adelic savants also sometimes mix a trippy space rock feel into their teleportational sonic tides, especially on the outstanding “Pouso Alegre.” All the songs are instrumental, with distorted guitars cresting and crashing into the saltwater soundscapes. Whether it be launched from the “Jaws” theme, ceremoniously stripped from a classic Yuletide favorite to achieve “Gin and Bells,” or pirated from the Animals’ “House of the Rising Sun,” their songs rise above the low water marks of mediocrity. Included on the disc is a video as well (although I can’t get it to play on my computer goddammit!). If you crave something new and enjoy instrumental music, you’ll really want to go Estrume’n’tal. - BL

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The Barnshakers
“5 Minutes to Live”

Goofin' Records

Fans of traditional rockabilly don’t need to look any further for their musical fix with this disc of 15 rockin’ tunes. With plenty of original tunes like “Boppin’ In Roswell”, “Two-Gun Daddy”, and “Arizona Express” these Finnish gangsters of love will woo you with the lure of the piano and then pump you full of lead while you are entranced by the steel guitar. The title track is a cover of Johnny Cash’s original and you are also entertained with covers of Marty Robbins “You Don’t Owe Me a Thing”, George Jones “Maybe Little Baby”, and Billy Riley’s “Trouble Bound”. Good Stuff! -Lisa Marie

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The Tower Blocks
"Praise Your Ghetto"
Knock Out Records

With the energetic opening cut, “Night In The City,” I instantly liked these guys a lot. This Oi! band from Berlin hasn’t been around that long at all, only forming last year, but this’ll grab you by the short-n-curlies and toss you through a window. The guitars sound open-sore raw, and the band sometimes reminds me of the 4-Skins, or maybe Soldier 76. A very upbeat Oi! sound with lots of singalong choruses. For the most part, it’s hard not to like. It makes me want to chug beer and get into a bar fight with some rich kids… may their blood be the paint to my whirling rage as I create art with my fists!! - BL

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High Noon
"What Are You Waiting For?"
Goofin' Records

These guys prove you don’t need a drummer to be cool, and do so with authentic country flavor. All songs are written by singer/rhythm guitarist Shaun Young and electric guitarist Sean Mencher. Some of the stand out tracks included on this disc are “Not For Nothing” which I find to be very lounge influenced yet still has a hillbilly element. “Comanche Moon” is a soft instrumental that combines the two guitars perfectly: this is the music that is playing when you ride off into the sunset on your horse. Although it can get a little slow paced at times, it’s still a good listen Overall, this disc maintains an old, traditional roots sound that can be appreciated across generations. –Lisa Marie

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Philadelphia Experiment
4 Song Demo

Band Site

When you get to hear a band in this genre that isn’t doing the tired street-punk-by-numbers thing, it can go really good or really bad. Fortunately, I think it works for Philadelphia Experiment. They have a little pop punk influence on the latter two tracks, but they don’t make me think of pimply teens whining about girls at Hot Topic. Instead they have cut me a slice of something I might not have tried otherwise, and I find myself liking it a lot. This is well worth your while to look into. - BL

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Red London
“Soundtrack of our Lives”

trash2001 Records

This band has been around for over 20 years, and I’m not too familiar with their old stuff. I did buy a 10” of them a few years ago and didn’t care for it. This falls in the same category… really bland rock’n’roll that makes me yawn. The album has too much polish, all the same medium tempo, and uninspired guitars. I’m sure they are having fun, but I keep skipping through looking for a rocker. Track 13 has a little energy… Too late. – BL

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Chicken McHead
self/titled CD EP”
(Dagger, PO Box 380152
East Hartford, CT 06138-0152)

Looking for something a little more interesting than yet another generic pud-whacking punk band for your collection? Here it is… a band that dares to ask the burning questions, like “Where Do Elephants Go When They Die?” There are five eccentric gems on this release, starting with the exotic “Running of the Bulls.” They sound sort of lo-fi sixties/garage, but not in the hipster sort of way. Instead, they come off as something you buy out of a record bin on a whim and turns out to be really cool carnival-like oddness that defies easy categorization. I’m glad to have this. - BL

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The Harlots
Self/titled EP

814 Records

The first song on this six song appetizer is an amazing instrumental with an eerie surf sound, an approach that is taken again with parallel success on track four called “Rabid Fox.” Songs like “Breaking Point” and “Angel” both take off with an good upbeat and raw garage punk style, but “My Baby’s a Vampire” is probably my favorite vocal cut on here. This Pennsylvania band hasn’t been together very long, and I think they have stormed out of the gates with a flared nostril fury. - BL

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Million Dollar Marxists
Self/titled Debut CD EP

Band Site

This Ottawa band takes a cranked up Humpers/New Bomb Turks route to rock’n’roll, and they do it well. Lyrically they pen some solid stuff too. On “¿Status Que?” they traverse the electronic geography: “Here’s a color test and it’s turning fast / it’s God vs God at digital mass / you’re nowhere now, ain’t nothing to risk / it’s 010 when you know you don’t exist.” Six songs here of rock’n’roll nihilism the way it should be. - BL

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Moonshiner
"Brooklyn Connection"
(Jungle Records, jungle@nettilinja.fi)

This is something I didn’t really get into at first due to the vocals, but they actually started to grow on me. The songs are really solid with clean guitar playing and often meaningful lyrics. The first track is about his life plans getting off track and about losing his “faith in God... [his] faith in truth.” The song called “Frank (part II)” is an easy-going and softly melodic song that documents in first-person a mentally unstable man planning mass murder by arson. That’s not to say that all lyrics are as wonderfully jaded; “Big Fat Mary” is a fantastic comical song about falling in love with a fat, stinky and hairy woman. Now that’s heart-warming, inspiring stuff! The musical style here ranges from neobilly, to lounge, to country, to blues, to whatever. Really, they fuse their influences together so well into something unique that it’s hard to sort them apart. For Example, “Heart Full of Fire” has a sort of Latin beat with blues guitar, then moves into jazz. The singer has a smooth and unusual style that, like me, you may have to become acclimated to. Now I think his voice is outstanding on several of the tracks, especially on “Back To Stay.” There is in addition a remarkable instrumental called “Bullet Festival,” that has a beautiful, classy spy-fi feel to it. The last track pulls off a great cowboy song, “My Rifle, My Pony And Me,” that begins a cappella, then is joined by acoustic guitar and of course whistling. All in all, I give this band a full endorsement as one I will undoubtedly be listening to in the future. - BL

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Hot Club Of Cowtown
"Ghost Train"

Hightone Records

“Ghost Train” marks this trio’s fourth outing, and displays a developing signature sound rooted in the classic jazz and western swing music of their idols Bob Wills, Django Rienhardt, and Stephane Grapelli among others. Here the mood is slower, smoother and sometimes darker as they venture through traditional and many original arrangements with an unassuming confidence that comes from musicians who rest from touring by continuing to play at happy hours in their hometown. A driven love for this music makes it come to life as if it were the 1930’s, even if the album maintains a more refined, produced sound. The vocals alternate between the two co-founders, guitarist Whit Smith and violinist Elana Fremerman. Fremerman’s songs bring out the band’s lighter side with memorable old-time melodies that remind of 1920’s parlor music and bring a welcomed respite from the sometimes harsh excesses of rock’n’roll. The two traditional instrumentals on here, “Fuli Tschai” and “Cherokee Shuffle,” are also remarkable numbers that showcase each musician’s abundant proficiencies. The former carries that gypsy, Django feel, while the latter is a rousing fiddle-based piece. Among my favorite aspects of this album, though, are the introspective contributions by Smith, such as the opening cut, which depicts the stress and worry induced insomnia that virtually anyone could relate to from time to time, if not chronically. Perhaps the finest moment, though, is the brooding “It Stops With Me,” which has a stunning Eastern European resonance coupled with lyrics that detail recovery from a mother’s public tenderness and private cruelty. He sings, “you didn’t want us in the deal, so you ground up dirt and put it in our meals.” Throughout this disc you get exemplary musicianship from not just the primary songwriters, but also Jake Erwin on upright bass, who can roll with the jazz as well as rise up for amazing slapping crescendos. In addition, on several tracks they feature guest musician, Joe Kerr on piano, who really adds to the flow and cohesion of the CD. In what is arguably the strangest cut on here, Smith sings Aerosmith’s “Chip Away at the Stone” as a slow ballad, which surprisingly comes off with enough sincerity to resist being a novelty. The final cut goes gospel in a fun singalong sort of way: complete with hollered “amens” and occasional animal noises. Overall, this is a very strong release, which reflects the spectrum of human emotions rather than promulgating a hollow image. - BL

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Spazm 151
self/titled CD

(Mind Control, 1012 Brodie St., Austin, TX 78704)

This Texas band comes down on you like a thunderous Redwood to squash your puny ass. If you dressed up like Prince and sauntered into a redneck bar, you still wouldn’t get as beat up as this album will leave you. They play a fast and absolutely relentlessly intense brand of Texas-style hardcore. The band is super-tight with lots of change-ups and no new school resonance. Just plain wild punk rock that makes your jaw drop then punches you in it. - BL

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Nox
"Rock'n'Roll Monello" CD EP

noxandroll@tiscali.it

There’s some definite talent in this Italian band. The first song on this is an upbeat rockabilly-infuenced rocker that’ll get in your blood, followed by a fantastic instrumental surf tune. Next is a weird, softer singalong with a little harmonica. The last song has funny-sounding, small vocals (a la Toy Dolls), although I am not sure what they are singing since this, like the other vocal cuts, is in Italian. Still, this is a good and interesting release, especially for the first two tracks. – BL

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The Brokedowns
"Let the Disappointment Begin"

Big Action Records

From Illinois, this band plays a tight melodic punk rock with a leftist political bend. Vocally, for the most part I’m not getting hooked, but thankfully, with tracks like “Bring on the Bling-Bling” and “I Hate Music,” they don’t sound like every other punk band coming out these days. Instead they have an element of creativity with their song structures songs that could possibly develop into something great if they step away from the pop influences. I also like the sound bytes they use: from Bill Hicks(?) on bands doing commercials, to what appears to be a deranged right wing AM radio pundit opening their best track, “Big Gay Party.” In a time where politics in punk seems to be unfashionable, I admire their willingness to speak their mind, and not seem humorless in doing so. Still, the vocal harmonies put me off. - BL

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Various Artists
"Love & Rebellion"
Thick Records

This is a jam packed compilation disc that has a lot of cool bands I never heard before. Like the opening band, Bitchy and their tune “Get That Motherfucker Out of Here” which is a crunchy, raw, rock tune that is balls to the wall! There is also a band on here called The Arrivals doing a song called “Juvenile Delinquent” which is creepily familiar to the song of the same title by the golden oldie band Frankie Lymon and the Teenagers, but I don’t think it’s a cover. Another great discovery is The Tossers and the two tracks “Dancin’ Shoes” and “The Pub.” They have an Irish-folk-rock sound and I would compare them to Flogging Molly minus the distortion. Most of the bands on here are of the punk influence, although there is one band (Calliope) that has the college coffeehouse thing going on which is the worst part. There is a total of 21 tracks on here from bands like The Gadjits, The Blue Meanies, Vortis and Trenchmouth. An interesting compilation, pick this up if you like a broad range of strange and unusual music. –Lisa Marie

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The Negatives
“Rules and Regulations”

trash2001 Records

These guys remind me a bit of Bonecrusher with their first track, “See the Bastards Run,” but other songs aren’t as reminiscent, though still really good. This Swedish street punk band sings in English and packs some heavyweight punch. With many songs like the excellent “Everyday Struggle” they keep it lively with some rock’n’roll guitar fills. There is enough energy and talent here to put them above the standard - with some songs that straight-up kick ass, and a few that fall a little short. - BL

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The Blasters
“Trouble Bound”

Hightone Records

These 17 tracks were recorded live in Los Angeles, March 2002. The line-up had re-united for six shows including this one, the first time in 17 years all of the original Blasters had played together. They rip out the 50’s rock’n’roll and blues with some astounding guitar work and boogie-woogie piano. The often-extended solos display a veteran sense what is entertaining and makes the live show a treat, and what can become self-indulgent if prolonged to far, and they always refrain from the latter. You won’t get bored, but rather irresistibly sucked into Dave Alvin’s capable fretwork like a pigeon to a jet engine. “Common Man” is a prime example of Dave’s seasoned skills as his guitar jerks and spasms in a flurry of bent strings to then decrescendo into a flurry of smooth blues licks. It seems the opposite of a track like “Dark Night” that instead builds to fevered climax. His brother, reportedly a math Ph.D., takes up the vocals along with rhythm guitar and most notably, the harmonica. His voice isn’t one of my favorites, but it is distinctive, no worse for wear, and far from offensive. “One Bad Stud” is one of the best tracks on here with a swingin’ jump blues flavor that you’ll wake up craving in the middle of the night. They of course also do their original classics, such as rattling solo, “Long White Cadillac,” and the often covered “Marie Marie.” Any fan of the Blasters will find this indispensable, as they also perform covers of Sonny Burgess, Johnny “Guitar” Watson, and Jr. Parker. For me, only a mild fan of the Blasters, I still ended up finding this disc very enjoyable because there’s an enthusiasm and energy emanating from this capable live band, adding something more to the show than a verbatim reiteration of their albums. In 22 years since their formation, The Blasters haven’t lost a feel for rock’n’roll. – BL

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The Home Team
“Time & Place”

Rocket Star Records

In the liner notes “special thanks to our Lord and Savior, Jesus Christ” and if that’s not enough to make you vomit, try putting the CD in and listening to it. –Lisa Marie

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Reddy Teddy Young
Demos

Holy Buddy Holly Batman! That’s what I thought at first as “Carried Away” started out of my speakers. But then the next 4 tracks on this demo have more of a hillbilly, Violent Femmes kind of vibe and there is even some yodeling during “Fever Dreaming” which also has some incredible lyrics: “If Heaven were walking/ a woman she’d be/moving her charm like a snake in a tree/ the bite is deadly the poison sweet/ the grave is shallow but the wound is deep”. I don’t know how to get a hold of these guys, but if you can figure out a way, pick up this demo! -Lisa Marie

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Toxocaras / Pagan Dead
Split CD

Graverockers Union Local 666

Yes! Here you get 4 tracks from each of these blood-lusting, grave-digging psycho freaks that have enough spook to give Lurch the chills. Aside from the sheer intensity of these two bands you also get some humorous, if not scary lyrics like The Pagan Dead’s “Cause I’m a psychobilly,cop killing maniac / fucking lunatic I’m on the attack / I got a SKS I’m gonna hunt you down / put you trash fuckers 6 feet underground,” and the rest of the song is just as brutal if not more so - a true gem. I’d have to say my favorite song on here though is “Auti da Fe’” also by the Pagan Dead which is all about burning Christians, it has a seriously addictive chorus. Toxocaras’ tune “Space Antichrist” is a fast, intense, gore filled tune that makes you long for Halloween 365 days of the year. Horrid, repulsive and gruesome…all those make for fine psycho bands. –Lisa Marie

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Trip Daddys
"Hot Chicks and Fast Kicks"

Band Site

These guys play swingin’ neobilly and rock’n’roll with blazing guitars and an enthusiasm that reels you in right from the opening cut. Guitarist Craig Straubinger has a great tone and dishes out some amazing leads and fills, which culminates in his shining moment on the last track, the incredible instrumental “Hydroplane.” Out of 16 tracks, all but two were written by the band. One of the covers is decent version of “Hollywood Babylon” by The Misfits. There is only one track that I am proned to skipping (“Teenage Carwashing Girls”). I highly recommend this disc to anyone who is a fan of this style of music. - BL

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The Mutants / Nieminen & Litmanen
Split 7"

Band Site

The Mutants side shows them in more of a surfy, 60’s mood, with sweltering saxophone and blaring guitars. The song is lively yet not stereotypical of the genre, and continues in the Mutants tradition of offering high-quality imaginative music. The Nieminen & Litmanen side is great too. Here you get an organ and drums tune that starts off sounding like a church organ, then moves into a Doors psychedelic 60’s sound. Makes me think of having feverishly intensifying sex inside a darkroom, sweaty and intoxicated by the developing chemicals wafting into the maddening glow of surly red lights. But then I may be a bit off-center. It’s good nonetheless. - BL

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Deke Dickerson
“3 Dimensions”

Major Label , PO Box 304 Hollywood, CA 90078

The three dimensions correspond to three sessions on this disc – one rock’n’roll, one rockabilly, one hillbilly swing, all excellent. The first session features great piano and saxophone, as well as Pete Curry from Los Straitjackets on bass and Earl Palmer on drums. Palmer was the drummer on the old Little Richard recordings, and also recorded with Fats Domino, Richie Valens, Eddie Cochran, Dick Dale, Willie Nelson, as well as many others. The sound seems ripped straight from the 50’s - still alive and kicking. Next is rockabilly Deke, with another five amazing tracks, including the dark ballad, “Bitter Tears,” which shows Deke’s vocal range and is delivered with tons of feeling. Capping off the CD is 7 songs and a bonus track of ole-fashioned hillbilly jumpin’ and swingin’ complete with steel guitar. Part of the charm of these recordings is that they are played and recorded with a real feel for that era in American music. In a day and time when everything has been done before, why not try and keep the best stuff alive? You won’t be able to keep you legs from moving. - BL

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The Bone Machine
“Il Diavolo L’ha Preso” 7”

(Ghoul Records, dist. thru Spaghetti Records, Billy’s Bones, & Valium Recordz)

This Italian psycho/rockabilly band has a punked-up sound that I instantly appreciated. The vocals have a rough edge and lots of echo, and the music avoids being too polished or hipster slick. Of four songs, there is a nice instrumental, two rockers, and a slower cut. Good music for those prepared to receive it.- BL

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Krypton 88
self/titled CD

Band Site

A love of traditional rockabilly can lead to many things. With this band it has led to an enthusiastic assembly of classic covers and a few originals done well. The guitars sound great, and the production has a nice vintage feel. Good for workin’ under your hot rod… or if you’re like me, drinkin’ beer and cursing your lousy beater. While I’d like to hear more of their originals like the excellent “Back Street Racin” and the wonderful instrumental opening cut, “Monty Cristo,” this disc definitely keeps the spirit alive and flowing. - BL

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999
“Biggest Tour In Sports / Biggest Prize In Sports”

Captain Oi! Records

I think only half of this is live, yet all of it sounds studio quality. 999 are probably best known for their “Homicide” song, which kicks off this CD. There are many other good cuts on here as well, alongside some rather eighties pop sounding stuff. Unlike some of their early stuff, a lot of this is more new wave than punk rock. “Made a Fool of You” seems like it could have been a dance hit, and is actually one of my favorite cuts for some reason. Tracks like “Inside Out,” “Shake,” and “Boiler” are also pretty good. Not something I’d run out and buy, but it’s not like chewing on aluminum foil either. - BL

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Antiseen
“Drastic / E.P. Royalty”, “Eat More Possum”

TKO Records

On these early EPs by Antiseen you get some really good songs like “Queen City Stomp,” “Destructo Rock,” and “Cop Out.” Simple, hard-hitting, dirty, abrasive, lo-fi don’t-give-a-fuck Southern punk rock from the early 80’s. Some of the tracks are a bit less than stellar, though. On “Eat More Possum” you get more of the same primal essentialist rock, with great song titles like “Animals… Eat ‘Em” and “Shittin’ in High Cotton.” There’s a bit of hillbilly country-punk influence on “I’ve Aged 20 Years in 5,” and a cover of the Ramones’ “Today Your Love.” If you know Antiseen, you know exactly what you’re getting – the grinding guitars and Jim Beam breath that you’d expect from a band that recorded with GG Allin. Musically, it is pretty dull though, and I have to really be in the mood for it. - BL

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Various Artists
“Punch Drunk IV”

TKO Records

The latest installment of TKO’s Punch Drunk serves up 24 tracks of bands on their roster, including some previously unreleased tracks. You get decent cuts by Electric Frankenstein, Reducers S.F., Those Unknown, Hollywood Hate, Bonecrusher, Bottles & Skulls, Terminus City, Strychnine, The Generators, Cocknoose, and many others. You get everything from the un-PC hardcore punk of Limecell to the laid back rock’n’roll of Bad Luck Charms. My favorite track is probably once again by The Riffs, who do 70’s punk rock better than a lot of the original artists. These Punch Drunk samplers are cheap & worth checking out. - BL

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The Mutants
“Timba Am Gaya / Lai-thong” 7”

Dull City Records

Every successive Mutants release adds another species of cool to their evolutionary process. This 7” features the sort of soundtrack you’d hear in a dark 70’s drama as the protagonist peers pensively through reflections of the late night city as it passes across his taxi cab window. He ponders the tragic events that recently transpired, and smokes a cigarette with a sigh of resignation. The other side features another instrumental nestled somewhat in the same genre, but with a slightly different mood. This one sounds more like it would score the erotic montage where the girl offers herself to the mob boss in exchange for her boyfriend’s life, while he sits in a seedy watering hole trying to drink away his memory. If I ever make a movie, this band will be part of the soundtrack for certain. Classy, captivating stuff. - BL

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The Hollywoods
“Do the Hypnotic Walk” 7"

Black Juju Records

The Hollywoods do lo-fidelity mono-recorded surf music that I really like. The problem is that the recording is a little too muddy, even for my tastes, with a real loud hiss and static noise that distracts from what they do. I am assuming that it is intentional, though my record player isn’t exactly top quality. Musically, they offer three songs of well put-together surf in the B-movie vein. Not bad at all, but the production value put me off a bit. - BL

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Red Card
self-titled CD

(Useless Chords Records, 206 Scholes St. #16 Brooklyn, NY 11206)

Progressive post-punk psychedelia? Not sure, but most of this is really good, edgy, and somewhat hypnotic. I definitely hear the Sonic Youth influence. Apparently, the core members of the band immigrated to New York in 1999 from Bosnia-Herzegovina, where they had played as a band through the 90’s. While some songs are instantly accessible, other tracks are more demanding, such as “Curl Up In a Ball” or the 7+ minute “Some Lights…” where by the end you feel almost reduced to a cross-eyed lunatic (not sure if that is a good or bad thing). Red Card succeeds in making avante-garde rock that, for me, writing this at 3 AM, mimics a state of chemical imbalance. The lyrics are equally creative, coming off almost like neurotic rants: “are you comfortable in your skin act of creation imitation I a confused machine must get in step nullify your silent friend suck in violent dreams I turn off restless feelings.” I don’t know if the average punk or rockabilly fan would be into something like this, but I can definitely dig it. - BL

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The Rebels
“Torn & Frayed: The Best of the Rebels”

Trash2001 Records

Some old punk bands lose it, while some don’t so much. It’s a mystery of science to be unraveled at another time. All you need to know is that The Rebels don’t sound like tired old men trying to regain their misspent youth. The original era of this English band was short, 1977-1980, but they reformed in 1995, spurned on by a successful vinyl release of some of their old demos. It is those demos that kick off the first 4 tracks of this, and in my opinion, they represent some of the best from that time. “All Hate” especially is just pure punk rock with attitude and urgency. The rest of the disc takes us from 1995 on, including some recent live recordings and covers of Angelic Upstarts, Stiff Little Fingers, Blitz, & others. While some of the new stuff doesn’t quite capture the feel & exuberance of the old, you’ll find some of it comes really damn close. You get a total of 32 tracks of punk rock history - that for me is way better than listening to the same Sex Pistols songs repackaged in a different order. - BL

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The Riotears
“Radioactive Rapsodies”

Trash2001 Records

This band uses an organ, heavy drums and dirty guitars to lay steaming garage-punk pavement over the lawns of their meek neighbors. Six songs of pretty good rock’n’roll with distorted vocals, but some of the songs are dragged out a little too long with nothing new going on (like “Gloomy Green Girl”). Also, a few of the tracks don’t really hook me. Still, this is half-decent. - BL

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The Cruel & Unusual
“Killtime”

Mortville Records

This is Texas post-punk rock played dirty and energetic. What’s more, you’ll get good lyrics to go along with it with lines like “I put little faith in people ‘cause I know what to expect / I don’t live for approval, still I’d kill for respect.” The songs are put together well and the band plays like they have a pulse. Songs like “William Foster,” “Irreparable,” “Killtime,” and the song that features the perfect line “don’t be yourself ‘cause I don’t like you like you are” all jump out immediately. They also do a cover of The Beatles, which actually sounds pretty decent also. They have lots of creative guitar lines, but some of the songs don’t work as well for me. Still, I really like this, and it stands proudly apart from the pack of uninspired schlock. - BL

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Bouncing Souls / Anti-Flag
Split CD

BYO Records

By now most people know these two bands, love or hate ‘em. The Bouncing Souls give 6 songs of their blend of pop and street punk. “No Security” has some decent kick to it, and they do a nice cover of Cocksparrer’s “We’re Coming Back.” But on the whole I’m just not into this, though they have their moments. Anti-Flag delivers their politically-charged leftist punk, taking on the so-called War on Terror. “I always thought if you want to change the world, then you have to start with yourself / so if the heads of state want to end terrorism, they should go ahead and kill themselves.” I find that hard to argue with actually. But there seems to be a strain of equating patriotism to fascism, which to me seems an over-simplification. They may be related variables, but A does not always lead to B. Anyway, their music leaves me a little cold. It’s not awful, just not my flavor. - BL

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Various Artists
“Guillotined At the Hangar”

Dionysus Records

This comp is filled with punk and garage oldies from the East Coast during the late 70’s/early 80’s, many (if not all) of which you may be unfamiliar with. You get great tracks by Jack Tragic and the Unfortunates, 8th Route Army, Peer Pressure, The Vandelz, and my favorites: The Outpatients, Chronic Disorder, and the Sterics. The best song, though, is by The Not Quite with “Satan’s Elves,” about demented little bastards who take toys from good little boys and girls and piss all over Santa’s bag. That’s great! Anyway, there are widely varying sound qualities, and the bands range from pretty intense and wild stuff, to the more sedate and melodic. I actually really like the lo-fi recordings when a band’s energy and personality comes through, and it does on several of these tracks. Still many are pretty bad. Nonetheless, this is worth looking into, especially if you like digging for rarities. - BL

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Vortis
“Take the System Down”

Thick Records

This is one of the stranger CDs that I’ve heard in quite some time, and one that is difficult to nail down. Drawing on genres from rap to punk with a humorous yet political bend, Vortis hits and misses. Sometimes it sounds like protest chanting, sometimes completely nihilistic like on the excellent “Hate our condition,” which declares “fuck, fuck, fuck the human race, we want androids in its place.” Elsewhere, “Shade Tree Mechanic” serves up some good country-inflected madness: “I’m proud to be a redneck, I was born a New York Jew / I take my Zen with a PBR, find satori after a few.” “Afrika” takes on the continent’s diamond mines, sweat shops, and political unrest caused by colonization, yet does it in a way is weirdly infectious, getting in your bloodstream like malaria. Hell, there is even an off-humor song cheering on the Unabomber, along with an anarchist song about the false hopes of democracy as a tool for the rich. The vocals are bizarre, and the guitars are gritty and abused. I think I like some of this, although some songs can get really annoying. And I hate the attempts at adding hip hop. Still, jaded sarcasm and eccentricity can get you far in my book. - BL

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The 4-Squares
“Steve's Hamper” EP

Quincy Shanks Records

These guys play pretty solid Chicago hardcore with screamed vocals. While they do a decent job, and several songs a really good, the album as a whole falls a little short for me. Not a lot of variation, and the vocals, while not terrible, don’t agree with my sensibilities. Fans of aggressive punk/hardcore might want to check these guys out anyway. - BL

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Various Artists
“Motormadness” 7” EP

(Hell On Wheels, hellonwheels66@hotmail.com)

Here you get six songs by six European bands on the Hell On Wheels , a small independent label out of Luxemborg. The emphasis is on lo-fi recordings as opposed to the sterile garbage engineered in expensive studios. Bands featured are Sloggy, Dangerous Chickens, Catacombo, Surf Me Up, Scotty, The Rathole Sheikh, and Superhelicopter LTD. All of it sounds suitable for dirt track racing and exudes an undeniable charm. You get instrumental surf, primal trash rock, and more. Good stuff. - BL

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Sloggy
“Lo Fi Tracks for Highway Cracks” 7”

(Hell On Wheels, hellonwheels66@hotmail.com)

Sloggy is Carlo and Viviane, who record on a beat-up 4-track in their living room. What they achieve is almost sounds sort of new wave, but obviously not so produced. She sings on the first cut and Carlo on the other two, plus there is an instrumental. I’m enjoying this; it has a good feel to it. - BL

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The Roustabouts
"The Only One"

Haunted Town Records

Hailing from Oklahoma City, these guys play some good Midwest punk rock’n’roll on their first full-length release. On songs like “Heart is Gone,” they remind me a little of DKM’s more rock’n’roll stuff, while retaining their own distinct sound. Songs like “Self-Destruct” and “We Believe” are stand-out tracks, along with the outstanding “This Town.” That said, I think some of this lacks the punch that they have live, and needs a little more variation of tempo. Still and admirable release by band poised to take-off. - BL

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Kings of Nuthin'
self-titled 7"

Haunted Town Records

If you haven’t heard these guys yet, you are missing out. They mix elements of jump blues, punk rock, and rockabilly to rattle your brain and get your ass in motion. I’ve seen them several times, and each time they tore the place apart with enough energy to save California from any further blackouts. On “Shit Out Of Luck” there are gravelly vocals, rousing saxophones, ragin’ slap bass, and the style of piano you’d here in a gin-soaked saloon. The B-side features “Drive All Night,” and “The Stomp,” a wild swingin’ instrumental that’ll have you spilling your drinks as your two left feet struggle for equilibrium. You should buy this and send ‘em a thank you note. - BL

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One Man Army
“Rumors & Headlines”

BYO Records

I never heard these guys before, but have heard good things. It’s not what I expected. These guys play a soft sort of melodic punk. I wouldn’t call it pop-punk in the standard suck-ass sense, though. Some songs are pretty catchy, but I’m not likely to be listening to this much. It’s not that I need to have crazy heavy hardcore to be happy, but this just doesn’t snatch me up by the collars and demand my interest. It’s the light rock of the punk genre. - BL

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Thee Exit Wounds
Demos


Hell yes, these guys play upbeat psycho punk rock’n’roll that instantly pleases me. They are from London and this features 3 promotional songs – all great, aggressive, and dark tunes that impress more than they depress. I’m looking forward to a full-length release for a future drinking companion. - BL

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The Headhunters
“Escape the Grave” 7"

Haunted Town Records

This is mid-tempo Oi! by these Swedish skinheads. Three songs, with the “Headhunters Theme” being the most energetic. The other two are so-so, but they don’t really make me wanna tell a friend. - BL Back to Contents


Youngang
Self-titled 7” & “Il Santo” CD

c/o Johnny Acquaro, youngang@virgilio.it
Via Cossa 53, 10146 Torino, Italy
This is really good Italian punk rock sung in their native language. It is upbeat and catchy stuff, and you get 5 songs on this slab o’ vinyl. On their full-length CD you get more of the same, singalong punk/oi that has catchy choruses and a general high-spirited feel. You’ll be humming things you don’t understand in no time. Not real aggro vocally, but it has a great punk rock sound. Check them out. - BL

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Last Call Brawlers
Split 7"

Last Call Brawlers
High Rollers

The High Rollers side of this rockabilly bonanza kicks of with an upbeat number done to perfection, with thumpin’ upright bass and rockin’ reverb guitar. The next cut is a slower country rocker that is also a pretty good tune, though faltering a bit vocally and too long. The Last Call Brawler side leaps out at you with the ragin’ rockabilly number “Out to Get My Blood” followed by a great Southwestern instrumental, “Chupacabra.” They cap it off with a wild hell-raising tune that has a message to the ladies, “let’s get drunk and fuck.” They have a rollicking barroom sound that keeps the polish to the minimum, and the explosive vocals really nudge the band up a notch. Hard not to feel the energy. Great stuff. - BL

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The Adicts
“Rise And Shine” LP

Knock Out Records

The new album by The Adicts, after 27 years since their formation, is drab 80’s-sounding pop punk with an Alice In Wonderland feel. I really get annoyed by the silly-sounding keyboards throughout most of it, and I think the band could have used a locker room pep talk before going out to record. But then I’ve only ever really liked some of the early Adicts stuff, and felt unmoved by a lot of their repertoire. Nothing’s changed in that respect. I hear they are outstanding live, though. That is probably the environment they need to thrive. - BL

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Jesus Skins
“Unser Kreuz Braught Keine Haken” LP

Knock Out Records

Pro-Christian fanatic skinheads that are apparently anti-nazi… now there’s something you don’t see everyday. I wish I knew more of what they were singing, but there is no English lyric sheet. For them, though, being a SHARP means “skinheads against religious prejudice.” They actually sing an aggro sort of Oi! music (Christ-core?) that surprisingly doesn’t suck. This is intense as the best of ‘em, and actually tops many of the bands in the genre with their raw, aggressive sound. I guess they’ve actually attracted attention from even major press, radio and television stations in Germany. Their bio sheet says they sing about “God, the bible, beer and stuff like that,” and know how to “rock the church and shock society.” No arguments here. - BL

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Dee Dee Ramone / Terrorgruppe
Split CD EP

Trash2001 Records

This split offers two songs from each artist. The late Dee Dee Ramone starts it with a lackluster “I’ve Got a Right to Love Her if I Want to,” but “Horror Hospital” is a lot better. TerrorGruppe starts with an homage entitled “Dee Dee,” which is decent, but not extraordinary. Their next live track is a little better, though. The release contains artwork by Dee Dee on the cover, and in the booklet you see where thousands of fans signed their tribute. I’d say that this is great when considered as a loving tribute to one of the original Ramones, but not so much just for the music’s sake. - BL

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The Class Assassins
“State of Emergency”

TKO Records

I could listen to this disc all day. Nice, solid punk rock with inspiring lyrics that doesn’t get old or repetitious. There is some great guitar playing and the band has a nice and tight sound. Some of my favorite tracks are “The Class Assasins”, “Urban Rebel” and “Freedom”. I like the fact that these guys have an upbeat sound but aren’t close to being pop punk. A good listen. –Lisa Marie

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The Big Heat
“The Good, The Bad & The Nutty”

Knock Out Records

In a world filled with Goldfinger, Reel Big Fish and Less Than Jake, The Big Heat is a refreshing alternative to pop ska with it’s more stripped down, bare bones style. It’s not ska like The Skatalites; it’s still like new wave ska, but just not as corny as the bands mentioned before. They have elements not common to this genre like weird effects on the guitars and strange ways of singing like in “Sideburns and Sideshows”. Some other songs that are strange, yet very listenable are “Pink Slippers”, “Son of Son of Sam”, and “Give The People What They Want”. I’m not a huge fan of ska so this won’t be playing too often in my player, but it’s not that bad. –Lisa Marie

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The Deadcats
“Bad Pussy”

(Flying Saucer Records, flyingsaucer@direct.ca)

Ahhh, yes…The Deadcats. I love these guys and so should you. Canadian punkabilly just doesn’t get any better than this. C’mon a flaming gut bucket bass…how much cooler can they get. “Crypt Zombie Hula” is a creepy, Tales From The Crypt-ish tune that makes me yearn for the scent of embalming fluid and decaying flesh. You also get all kinds of range with these guys, from the more traditional rockabilly sounding songs like “Psychocat” to the punk “Lost Generation Breakdown” to a Johnny Cash’s “Mean Eyed Cat” and even a surf instrumental “High Lonesome Cactus”. Maybe it’s their socialist healthcare, but the Deadcats never fail me as a fan and don’t disappoint with this latest release. –Lisa Marie

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The Boppin' Kids
“Go Wild! / Just For Fun”

Crazy Love Records

The date: 1984. The place: Italy. The people: Three 15 year old boys. The result: A cool rockabilly band that started a musical revolution (or so say the liner notes). This disc is a compilation of all the Boppin’ Kids music from 1985 to 1990 and does not disappoint (with the exception of a few dull, cheesy tunes). Filled to the brim with 24 tracks you get all of there best like “Castle of Dead”, “Love Me Like A Stone” and covers like “Something Else”, “Lonesome Train”, and “Crazy Love”. They actually did the first cover of Soft Cell’s “Tainted Love” and scored a place on the Indie Charts with it. These guys are fun, fast and skilled. Pick this up! –Lisa Marie

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Beavershot
Self-titled CD

Raucous Records

Beavershot hail from Amsterdam and play what I’d call a sort of dirty blues rock with some rockabilly over-tones. They kind of remind me of the Love Cowboys, who played here last year. The guitar player is especially noteworthy, with a cool tone and wicked riffs. While many tracks rock pretty damn good (though some running a bit long), on some of the songs the vocals kind of put me off. “Eat Your Pussy” sounds a little more smarmy than the good kind of lewd, such as on GG Allin’s “Eat You Out.” But then I haven’t listened to this while drunk yet. The stand-out tracks like “Red Headed Woman,” “Can’t Keep On Loving You,” “Ready To Rock” and the excellent instrumental “Frostbite” make this a worthwhile listen. Not bad. - BL

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Mad Masato
“Just Moving On”

Crazy Love Records

Insane! That’s how I am going to describe this crazy five-song demo. The singer and maniacal bassist is Mad Masato who has a throaty, gruff voice and he beats his instrument like it’s a victim of domestic violence. I am not sure where Mad Masato is from, but it sounds like he sings in an Asian language for some of the songs. Track 4 is an instrumental where he showcases his marvelous bass skills and it hooks you into a strange trance. There is a cover of the Supremes “Can’t Hurry Love” done psycho style and nicely caps off this must-have treasure. –Lisa Marie

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Madcap
“East to West”

Side One Dummy

Although these guys are proficient musicians and have some pretty catchy tunes, they border a bit too close on the edge of pop punk doom for me to really get into. They do a good version of “New Age” by the Blitz and have a few other likeable songs like “These Old Feelings” and “Bright Lights, Big City” but over all just don’t really get me moving. –Lisa

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The Housewreckers
“Wrecker's Party”

Goofin' Records

I have woken up in the middle of the night with the first track of this disc running through my head…what does it mean?! I could try my hand at Freudian theory and say “I Never Lie To You” is somehow a twisted message my subconscience is trying to tell me. Yeah, or it could just mean I listen to this CD too much because it rocks! Actually at first the CD didn’t really grab me, but it kinda grew on me. The Housewreckers are a rockabilly trio from Finland who have been around for well over a decade. Although the singer is the only remaining original member these guys are tight and have a great sound. There is a bit of blues influence in the guitar playing which sets these guys a part from every other rockabilly band and they keep the styles and tempos changing all throughout the disc. –Lisa Marie

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The Butchers
“Flesheating Twist”

TCrazy Love Records

I tried finding out some information on these guys on their web-site, but it wasn’t working. I wanted to look up how long they have been around because they sound like seasoned musicians and I also wanted to know where they come from. These guys have a choppy, rock feel that at some times interests me and at other times bore me. I can’t really put my finger on it, but they don’t really grab me enough to put this disc in and listen to it on my own free will. –Lisa Marie

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Big John Bates
“Mystiki”

(Devil Sauce Recordings, Dept 20, 601 Bute Street
Vancouver, BC / V6E 3M2 Canada)

I really enjoyed Big John Bates’ last album, but in all honesty it wasn’t my favorite. This new release, however, has set up camp in my CD player, and is guaranteed to become a determined squatter in your home stereo as well. Their overall improved sound is coupled with some excellent compositions that vary in style and approach. You get some tracks in the vein of the Cramps, as well as some bayou swamp rock, creepy lounge, dirty rockabilly savageness, and even a spectacular cover of “Tainted Love” that is probably the best I’ve heard. The instrumentals on here are incredible as well. You get an exotic belly-dancing tune, a raging surf-punk number, and a bizarre waltz with smooth jazzy interludes. This band is developing a signature sound that I am really digging. Snatch this one up like a political hostage and make it pleasure you. - BL

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The Dixie Buzzards
self-titled 10"

Black Juju Records

I’m a sucker for stripped-down rock’n’roll played greasy and drunk with a primal beat, and these Swedes do just that. Heavily Southern with a little bit of a Cajun-flavored 60’s sound, these 9 cuts are hot and muddy as the Mississippi Delta. This is a good spankin’ of carnal rock’n’roll. Great! - BL

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Paul Galaxy & The Galactix
“Cross the Line”

(Rollin’ Rock Records, 2460 Casey Drive, Las Vegas, Nevada 89120)

If you like nice, clean rockabilly/surf then you will love this disc. Also, if you are a huge fan of the whole spaghetti western type music, you even get a generous taste of that with songs like “Desert Air” and the blazing instrumental “Hot Tamale 2” which has amazing Spanish guitar work. All the songs are Paul Galaxy originals except for “Fat Bottom Girls” which is a very entertaining cover of the Queen classic. Some other notable tracks are “Man O’ War” and “Tailfin” which are both surf instrumentals. –Lisa Marie

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Devil Doll
“Queen of Pain”

(Lucky Bluebird Records, www.devil-doll.com)

Colleen Duffy is Devil Doll, who originally grew up in Old Brooklyn on Cleveland’s West Side. She’s not a delicate flower at the whim of the wind, but more of a femme fatale knifing her way to your heart. She drips with a sexual vivacity tempered by both vulnerability and predatory instinct, making her music more alluring and real-world complete than that of the distressing damsels of pop music. She’ll soften up then make a fist – “I want to kiss you and punch you in the face.” The music parallels her mingled psychology, borrowing liberally from lounge, jazz, pop, Latin, and whatever else. For the most part you can imagine her singing in a smoky piano bar with her sultry Siren voice fueling futile fantasies. Many tracks use organ, piano, brass, and programmed loops. “You Are the Best Thing and the Worst Thing” has a bit of a tango feel and features some accordion, as does “You Put a Spell on Me,” which is a gorgeous song flowing over lush saxophone curves. “Faith In Love” is another smooth track with a sparse sensual arrangement that culminates in a velvet-voiced scat. Elsewhere, “Liquor Store” has more of a Vegas swing feel, while “Union Square” retains a jazzy elegance. “Left” is a striking song because it is just her singing and accompanying herself with electric bass. Perhaps the best track, though, is the final slow and jazzy cut, “If I Died In Your Arms,” which flows with a moving elegance. That said, a few tracks fall flat for me, and I think a bit less pop influence would really bring it up a notch, but on the whole, this is still creative and impressive. – BL

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Review Index:
Go Further Back In Time
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