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Gorilla
V/A - A Fistfull of Rock-N-Roll vol. 7
The Dead Kings
Hudson Falcons/King Size Braces
Tension Wire
Rip Carson & The Twilight Trio
Brassknuckle Boys
The Partisans
The Templars
Sloppy Meateaters
Os Catalepticos
V/A - Skinz N Pinz vol. 2
The GC5
Lousy
Charge 69 LPs
The Forgotten
V/A Knockout in the 5th Round
Naked Raygun
Sixer
The Business
Lobos Negros
Brian Setzer '68 Comeback Special
The Workin' Stiffs
Charge 69 EP
Psychotic Reaction
First Offense
Busrider
The Babyshakers
59 Times the Pain
The Nerve Agents
Thug Murder
The Invisible Men
Antiseen
Billy Hancock and the Tennessee Rockets
Hudson Falcons
Split Lip Rayfield
The Mullens
The Gore Gore Girls
The Vanilla Muffins
R.L. Burnside
Flathead Mike & the Mercurys
The Generators
The Bad Luck Charms
Big Black Cat
V/A - O' Brother Where Art Thou?
Sleepy LaBeef
Symarip
V/A - American Fight Club
Lars Frederickson and the Bastards
Dropkick Murphys
The Briefs
The Meteors
The Dagmars
Rocket 455
Reducers SF
The Berlin Project
Angela Davis

Gorilla
“Genetic Joke”

Crazy Love Records"

Holy fucking shit this is smokin’! The band is from Hungary, the style is psychobilly, the approach is innovative, the music is wickedly good, and the conclusion is: Get this. There is more talent in this band than there are empty seats at Mötley Crüe reunion tour. The album is very well-rounded, with alternating tempos and some scorching guitar-intensive songs interspersed with some drum and bass-driven tracks. The upright bass player is among the very best that I have heard – just insane. On songs like “Planet of the Apes” and “Luni Bin” he gets downright maniacal and leaves you more disoriented than Farrah Fawcet. The guitar rhythms also absolutely crush all in their path, whether they have more of the proficient metal-driven intensity of the Nekromantix as on “Psychotic Paradise” or a more nitro-injected rockabilly style like “When I was Young.” The CD actually begins and ends with a short instrumental bluegrass/folk tune, “Headless School Bus Driver,” and there is a great psychobilly cover of Steppenwolf’s “Born to Be Wild.” You’ll also find a rockin’ big band swing song on here that is stellar as well . This is one of my new favorite CDs – one that will raise more than just an eyebrow in the psychobilly scene and should be appreciated by anyone with musical taste. – BL

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V/A - A Fistfull of Rock’n’Roll vol. 7
Victory Records

The Donnas kick this 19 band compilation off with a hard-rockin’ Joan Jett meets AC/DC number. This is my first introduction to their music, although I’ve heard a lot about them, and I must say, I really dig this song. Most of the other bands on this compilation I have never even heard of, but a lot of them are really good. Alabama Thunder Pussy lays down a slab of raw, Southern, hard-as-steel, rock-n-roll that I think dwarfs somewhat similar artists like Antiseen and Nashville Pussy. The Launderettes are another great band included on here that has a sort of garage surf sound and female vocals. Also, the Loudmouths deliver their trademark slab of unrepentant punk rock. Other bands on here are: Puffball, Hellions, Les Viperes, Push Rods, Hellside Stranglers, Gels, Shut-ups, and more. While I don’t like several of the songs very much, I’d still claim this is a really good and enjoyable sampler of cool bands that I am not used to listening to. – BL

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The Dead Kings
“King by Death, Fool for a Lifetime”

Crazy Love Records
Review by Mikey the Thumb

I've been a die hard, downright rabid Mad Sin and Batmobile fan for years so you can imagine my excitement when I first caught wind of CRAZY LOVE RECORDS' new all-star outfit, THE DEAD KINGS! Yeah that's right, Kofte (front man from MAD SIN) and Johnnny (skin-slapper from BATMOBILE) have combined forces with members of the KLINGONZ and NEKROMANTIX to put together one hell of wreckin' debut - King by Death, Fool for a Lifetime. Kofte's intense vocals add a lot of Mad Sin flavor to the DEAD KINGS, but this act is no spin-off - some of the most original punk-edged psychobilly I've heard in a long time! So what the hell are y'all waitin' for? Hit CRAZY LOVE RECORDS up for your own copy today!

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Hudson Falcons/King Size Braces
“Attack” EP

Squigtone Records

Carve an extra notch in yer belt ‘cuz you’re gonna eat this shit up. The Hudson Falcons immediately knock the wind out of you with the title track that has got to be one of their most intense songs to date. They deliver six tracks total on this CD, three of which are new ones, including a great song honoring working women. In “Responsibility” they say “selfishness and apathy are the two very deadly sins / pray for the lost souls, and do something if you can” - once again showing themselves not only as a band concerned for those displaced by companies who commodify and abuse labor, and with the upper class living well off the broken backs of workers, but also concerned about those at the bottom and middle who are indirectly complicit in the suffering. There is also a couple excellent covers, including Stiff Little Fingers’ “Alternative Ulster” and a blistering rendition of MC5’s “Kick Out the Jams.” After them, King Size Braces dish out a hearty helping of skinhead rock-n-roll that manages to sound fresh thanks to their obvious knack for writing catchy songs with rough vocals and lots of energy. You can hear touches of Dropkick Murphys and Rancid in here, mixed with a definite Oi sensibility. They have five songs on here, all of which’ll put you in a drinkin’ mood, including a cover of Merle Haggard’s “Mama Tried.” In summary, this is one worth tracking down for certain. - BL

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Tension Wire
“Explicits”

Seymour Records

I am not sure what to say about this. I’ve listened to it all the way through, and it didn’t really grab me. They are sort of pop-punk, but not there’s a darker, drudging feel to it. I’d put this in the player if held at gunpoint by Mexican bandits, or if later I feel like second guessing my first impression. They are not bad if you like this sort of music I guess. - BL

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Rip Carson & The Twilight Trio
“Stand Back!”

Rolling Rock Records c/o Ronny Weiser 2460 Casey Drive, Las Vegas, NV 89120

If this disc don’t make you want to move, you probably need a team of several burly lumberjacks to remove that rather large stick from your ass. This is rockabilly that has a very rootsy feel and lots of energy. The musicianship is excellent: you get good thumpin’ bass rhythms, 50’s sounding guitars ripping it up, and Rip’s vocals really seal the package. He has one of the very best voices in the genre, and brings his own style and charisma to the table, moving from croon to howl as the song dictates. I think this disc would appeal to people who don’t even know much about rockabilly. It just has a level of energy and charm you don’t find too much these days. Everybody needs to own this slab of pure, raw, and infectious American rockabilly that is not just dead nostalgia, but rather seems more alive than it ever was. - BL

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Brass Knuckle Boys
“American Bastard”

Haunted Town Records

Tired of pre-fabricated anthems, recycled punk rock clichés, and bands without a clue? Well then, I recommend getting a hold of this CD and having a taste of some “No Coast Street Punk” played with enough heart and sincerity to make The Man in Black nod with approval. There are covers of bands as diverse as Kris Kristofferson, Johnny Cash, Hanoi Rocks, and Skrewdriver – the latter with adjusted lyrics, of course. Original songs on here deal with the mistreatment of war veterans, class warfare, incarceration and despair, loyalty and friendship, and so on. One song even tells a different side of the Irish gangster Jimmy Coonan’s story. All are written in the personal voice of singer Mark Dacey and are delivered with the southern punk rock signature of Billy Blitz’s [The Staggers] guitar playing. This is definitely one to track down. – BL

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The Partisans
“So Neat” EP

TKO Records

Here you have three tracks by this important and influential English punk band that started way back in 1978. Hell, that’s when my sister was born. These songs mark the first new material by the band in 17 years, and they aren’t bad. While you don’t get the exciting rush of “Police Story,” their song on the 1981 Punk and Disorderly compilation, they do maintain a late seventies punk style that most of their other material had. Still these songs are pretty mellow and are missing that ingredient X that makes it come alive, but for a band just recently come out of hibernation, this is pretty decent. - BL

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The Templars
“Horns of Hattin”

GMM Records

If this were any better it would be one of the seven deadly sins. This is some great stuff. The first track, after the lengthy movie clip intro, is called Video Age: a song delivered in their signature “Brickwall Oi!” style. While their last full-length release on GMM, “Omne Datum Optimum,” was a great album, it was also somewhat of a departure from their previous, almost trademark, sound. However, on “Horns of Hattin” the guitars once again have less distortion and a little more of the raw exuberance and charm of their previous work. Some songs like “Breakdown” and “Ockham’s Razor” add a little more of a rock-n-roll feel, and there is a great hidden track tacked onto the end of the disc – altogether making this some of their best work. Personally, I think this is the top Oi! band out there, and while you can hear a variety of influences in their music, they’ve definitely carved out a unique style that sets them apart from the pack. I’d get this if you aren’t some sort of bloated jackass with less wit and sophistication than a TV weatherman. – BL

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Sloppy Meateaters
“Forbidden Meat”

Orange Peal Records P.O. Box 15207, Fremont, CA 94539

This is a fine example of a band doing something pretty well that I don’t really care for. Sloppy Meateaters come form the Blink 182 school of punk rock and have a fairly tight sound with extremely poppy vocals. Now, I am not into macho posturing, nor am I an angry person, but this just sounds really… well… wimpy. Like bubble-gum music that makes your head bop from side to side with a ridiculous grin on your face as you skip down the sidewalk on your way to clean the pastor’s minivan. Check it out if you dig that sort of thing. - BL

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Os Catalepticos
"Zombification”

Crazy Love Records

If I were a brontosaurus, this CD would be like a delicious shrubbery covered in tasty beetles. If you like psychotic coffin-bass slappin’ and 80’s death metal, you are gonna wanna rub your genitals on this piece of work. I definitely have a soft spot for both, and have had more than a few intimate moments with this disc. This band is from Brazil is much heavier on the psycho than the ‘billy, and this new full-length has a somewhat higher production value than their last one. At first, I thought it made the tracks sort of run together, but I’ve really grown to appreciate this outing almost as much as their last full album, “Little Bits of Insanity.” If you remember liking metal back before the wannabe gangster rap fusion whore vomit shit, back when the spandex-clad imbecile druggies with poofy hair were the worst we had to deal with, then you’ll appreciate this. Plus, the addition of a frantic upright bass player into the mix really adds some serious kick. - BL

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V/A - Skins & Pinz vol. 2

GMM Records

Whoo-hoo! A CD compilation that titillates my brain and kick-starts my fight or flight response. Here we have the Skins & Pinz II an extreme punk rock disc featuring 26 songs that won’t disappoint. This is all pretty much balls out punk/oi music that gets you pumped up for some drinkin’ and brawlin. Let’s see…there is some Major Accident, The Wretched Ones, Iron Cross, Pressure Point, Agnostic Front, Patriot, Relix, and more! Some of my favorite tracks you ask? Well, there is “Main Street” by the Main St. Saints, “Third Man In” by the Dropkick Murphys, “Breakdown” by the Templars, and “Abandoned Vets” by the Hudson Falcons. I really like track 7, “Kids with a Vision” by the Boils, a band I am not too familiar with, but am now interested in. Another surprise band for me is the Ducky Boys and their song “Doing Time.” It’s got a slow ballad start and then kicks into a fast song, pretty good especially since they use an organ player in this track. Lots of good stuff on here, pick it up and tell ‘em Lisa Marie sent ya! – LM

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The GC5
“Horseshoes and Hand Grenades” EP

Leprock Records

Here you have a band that engages the brain, as well as the various sensory organs that lead into it. I can tolerate some lame-ass lyrics in the interest of a good tune, or perhaps a lackluster album with inspired lyrics, but here you get both; it’s like beer without the hangover or religion without the guilt. “Sheep in Wolf’s Clothing” seems to touch on the idea of co-opted “revolutionaries” in the music business and manufactured pop stars within a consumerist society. “You look so young and full of danger / Just a glorified re-arranger / In bed with the money changers / Kissing ass to total strangers.” Elsewhere, “Culture Wars” deals with the clash of different ethnicities and backgrounds, and the mindset that adheres to a perverse sense of purity and privilege in this country. The third track on this five song EP somberly observes that in the current economic system “somewhere there is a bottom line more important than yours.” While the subject matter may be heavy, the songs don’t feel oppressive or preachy, but instead come off as an impassioned outpouring of ideas. The music is up-beat punk with engaging songs that aren’t whiny or watered down for general consumption. Great stuff. - BL

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Lousy
“Best Wishes”

Knockout Records

This German band has an average, hard punk sound with Motorhead tendencies, but the vocals really ruin it for me. He sounds almost comical, with low throaty vocals similar to the kind you’d make when you are pretending to be a monster while playing with kids. Or maybe it’s better compared to Fat Albert’s voice. The songs are okay, but unimpressive and mostly sound alike. I just can’t get into this at all. - BL

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Charge 69
“Vos Lois Ne Sont Pas Nos Regles” LP &
"Apparence Jugée" LP

Knockout Records

“Vos Lois Ne Sont Pas Nos Regles” is the newest release by this band, and, since it is in French, I haven’t a clue what they are singing about. Still most of the songs sound really good, as is the case on their previous full-length, “Apparence Jugée.” They are a French street punk band with more melody than simple blind aggression, which makes for more memorable songs, yet they don’t sound weak or poppy. There is a definite early 80’s British Oi! influence in there too. Most songs transcend the language barrier, and they are definitely not simply regurgitating the same tired formula over and over. While there are a few songs that don’t get my motor running, they definitely have their own voice and there is a good deal of creativity in the compositions, as well as some musical talent. Fans of West Side Boys, Braindance, Vanilla Muffins, The Business, etc. will probably like these two albums. I do. - BL

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The Forgotten
“…Ask No Questions”

Knockout Records

These guys are a very well done, punchy punk band with interesting lyrics. The first song, “Conflict,” is political; it concerns the United States’ involvement in funding foreign wars and being the world’s self-appointed police, and how that makes the rest of the world hate us. Other songs like “Smash It Open,” on the other hand, look at internal personal conflict “…I have to please all the people inside me/the worst thing is let them start to argue...” Eight tracks are on this disc and I like them all. I do not recommend this to fans of Emo or pop punk, you will be disappointed. However, if you like solid, get up and slam punk, give this a try. Very recommended! –LM

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V/A - Knock-Out in the 5th Round
Knockout Records

Ah-ha! Here is a bitchin’ comp full of a mad bunch of music I love. There are 22 tracks on this and there is Oi!, punk, Psychobilly and good ole rock. There are a few tracks by the Wretched Ones, a song in French by Charge 69, and a neat sounding song by Emscherkurve 77 in a language unidentifiable by me. Now on to further excitement!!! YES, there is a song by my favorite Oi! band the Vanilla Muffins, whoo-hoo! The song is called “Mommy It’s Me,” and whenever I hear it I sing loudly and dance around. Damn it, the Vanilla Muffins just make me so freaking exhilarated! Another great track is by Splodge Nessabounds where they explore the bloody curse of the bipedal in the song “My Socks Gone Down My Shoe.” Ah, but wait there is more deliciousness yet to spring forth from this disc…there is a kick ass SKA song by the band F.B.I called “Mururoa” and even though I have no clue what he is saying, he has got a splendid voice and the music rocks! More you say, you want more!? Ha! Get this, there are TWO tracks of Demented Are Go! “Human Slug” and “Busted Hymen” two fabulous Psycho songs that make you feel all filthy and violated. And if that wasn’t enough, there are even tracks by bands like Bonecrusher, Oxymoron, Molotow Soda, The Meteors, and more. C’mon, can your soul really afford to pass this one up? -LM

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Naked Raygun
“Free Shit”

Haunted Town Records

This is a live album recorded in November 29 & 30, 1997 at The Metro in Chicago, Naked Raygun’s last two shows actually. The show was recorded using a 16 track recorder and is of remarkable sound quality. I know these guys have been around since the mid-eighties, but they sure haven’t lost any energy. I am not too sure how to classify them as they are not the typical ‘80’s sounding punk, but a bit more melodic. Naked Raygun are great musicians, that know how to have fun and put on a good live show. I get a kick out of reading the lyrics, like “Metastasis,” which goes “I am a fetus, I am a tumor, I am the local slime mold. I am a pupa, I am a larva, I am emperor Tojo. I am a lizard, I am a nymph, I am a three toed gecko.” There are 22 songs on here including a cover of the Buzzcock’s “I Don’t Mind.” Of course they sing “Rat Patrol” and the popular tune “No Sex” which goes “never wanted it in the butt, never wanted it in the rear.” Just hearing that song brings a tear to my eye: this is some good stuff. -LM

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Sixer
“Saving Grace”

TKO Records

For me, this is dangerously close to being pop punk or a good rock band, kinda teetering between both, yet lacking something to be either. I mean, it’s not like there is anything apparently bad about this CD, but there isn’t anything that just jumps out at me and says “love me!” I get bored with it actually. One song that mixes things up a bit is track 6, “Don’t Ask Why,” which is musically together and you can hear some cool bass playing. Track 7 is also pretty decent with a classic country feel, but punkish…make sense? It seems to pick up during the last half of the album. An okay album, just not for me. -LM

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The Business
“No Mercy for You”

Epitaph/Burning Heart

For over twenty fuckin’ years this band has been chugging along. I remember seeing them several years ago at a bar in Cleveland when there was only like 30 people there. Micky Fitz was sitting at the bar alone, and ended up buying all my friends and me a round of drinks. Since then, they have really been on an up swing, apparently signing to a label that will get them distribution, and what band deserves it more? This is one of the key bands that defined the early British Oi! and street punk sound, and they haven’t changed a bit with this release of 16 new songs that sound like they could have been recorded in ’84. Here you have some pub singalong songs like “Guinness Boys,” some heavier material like “Hate N.D.,” but most songs fall somewhere in between – with catchy choruses and guitar melodies. They haven’t compromised a bit over the years, and while this release isn’t breaking new ground, it is still certainly one to pick up. Why fuck with a good thing? - BL

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Lobos Negros
“Las Viejas Cintas Del Sotano”

www.talaveraweb.com

Lobos Negros (which means “Black Wolves”) is a rockabilly trio native to Spain that have an obvious rooting in early american rock. They cover Bob Dylans “Highway Revisited 61,” The Ventures “Dick Tracy,” Johny Burnette’s “Lonesome Train” and the Violent Femmes “Blister in the Sun.” It seems as though they have a lot of fun playing, but musically they don’t really capture my attention. I’m not saying you have to be a brilliant musician for me to like, these guys just don’t do it for me. Although it’s pretty neat hearing “Umbangi Stomp” in Spanish with a SKA beat. -LM

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Brian Setzer Trio ’68 Comeback Special
"Ignition"

Surfdog Records

I can’t say I was too big a fan of the Brian Setzer Orchestra, although I do like some of the old Big Band stuff. That said, I was therefore really interested to hear his return to the more scaled-down rockabilly of his Stray Cats days. While there are two songs on here that I am not very fond of, the rest of this is golden. Setzer shows why he is one of the greatest guitarists of any genre with some of the most phenomenal leads and infectious rhythms around. My favorite song is “Hell Bent,” which actually gives me chills when I hear it. Some songs have more of a country feel, like “5 Years, 4 Months, 3 Days,” a song that bares some resemblance to the classic “6 Days on the Road.” Upright bass player, Mark W. Winchester, serves up not only a driving slap-beat accompaniment, but he also sings to the swingin’ rockabilly strut of “Rooster Rock.” There is even some Spanish flavoring with excellent songs such as “Santa Rosa Rita” and the traditional instrumental “Malagueña,” (which coincidentally is also covered by Hispanic psychobilly greats: Calavera, so look ‘em up). Setzer also rocks out with a slide on “Who Would Love This Car but Me?” a song he co-wrote with Joe Strummer of the Clash. All in all, this is a fantastic disc for moving your feet on the dance floor, or just basking in the waves of guitar rolling over the rockabilly beat. - BL

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The Workin' Stiffs
“Dog Tired… And Then Some”

TKO Records

This is West Coast Oi/punk that kind of puts me in the mind of Pressure Point or a similar band. The singer has a unique voice that doesn’t always work for me, but the music is good and the band is competent. This is their early demos and releases on one CD. While I do like this, it really doesn’t stand out above the rest. - BL

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Charge 69
“Région Sacrifee” EP

Knock Out Records Postfach 100716 * 46527 Dinslaken * Germany

Hmm, I really like this. Even though I don’t know what they are singing about, the delivery is like a pizza with extra cheese brought to you on a golden chariot - Hooray! It’s an 8-song punk EP that is punchy, fast, and attention-grabbing. It’s just good, ole edgy punk rock. They come out the starting gate with a fierce gallop as they careen through the first side with perfection. On side 2 the first track is an instrumental called “Scream,” and the last three songs are all live. The music is well put together and the vocals give the lyrics an intense feel; together making this certainly a worthwhile album to have. -LM

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Psychotic Reaction
“Red Alert" 7"

Psychotic Reaction

I don’t really know what to make of the Russian, Cold War, Communist Invasion song that starts this off. I think it is tongue in cheek. I mean, if they were seriously afraid of powerful communist nations, wouldn’t China be a more appropriate choice these days? That point aside, this is a pretty decent punk band, and this 4 song EP includes a well-done cover of UK Subs’ “Warhead.” It’s nothing to run into a burning building for, but also not something to throw at joggers as you pass them in your car. - BL

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First Offense 7"
Sewer Skum Records suburbanthreat@yahoo.com
Guest Review by Dennis A. Bell

Punk Rock the way it’s supposed to be played: loud, fast, out of control, short and to the point. That’s what these five members of the Kaos Krew bring to the platter in this vinyl serving of five appetizing songs. First entrée, Kids that Count, my personal favorite and a rocker. Next entrée United Youth, rock from the first bite to the last, and then please give me another serving of Fuck Love. Now for the main course of Dirty Fucking Hippies, I’m totally with you on this with one. To all you dirty hippies, go dance in Hell! For desert a nice fatty tune called Laced for Battle, the Kaos Krew’s anthem. After a heavy meal such as this you can feel the rumbling in your gut that Dan, Troi, Tom, Bryan and Smitty with their Exploited-type sound that just makes you want to belch out Rock-N-Roll and give yourself room for another spin of this tasty vinyl morsel. To you I say bon appetite!

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Busrider
“Best Friends Forever”

Busrider

I don’t really know what to make of this band, but I can say the guitars are the strong point, very unique. There are 12 tracks, and honestly, after the first one I wanted to maim myself. However, the second track is way cool, kind of a baroque instrumental with only two guitars harmonizing. Personally, I think the band should stick to this. Many of the songs are musically interesting and nice, but the vocals are whiney and suck ass. Actually, Busrider reminds me of Weezer with a hint of Ween. Pretty enjoyable aside from the vocals, which really ruin it for me. –LM

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The Babyshakers
S/T CD Nervous Wreckids USA
babyshakersrocknroll@hotmail.com

Here you have some really good, raw, gritty punk rock-n-roll from Austin, Texas. Apparently they had their web-site deleted because of their name, as though the band is actually a front for some sort of clandestine society of Babyshakers that travels home to home in the Still of the Night, jarring infants, blaring Whitesnake, and laughing with glee at their heinous acts as they congregate for one big Satanic orgy. But I digress. This band has touches of Social D and the Randumbs, and while the vocals are a little to deep in the mix, the quality of the songs still shines through. Most are tongue-in-cheek, and delivered with something that falls between punk rock snottiness and country melody. You’ll love this almost as much as that Vietnamese sex slave chained up in your basement. - BL

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59 Times the Pain
“Calling the Public”

Epitaph/Burning Heart

Here is a melodic punk band that has a nice tight sound with lots of variety. They are of the more jovial sounding punk; they aren’t angry and full of angst. There are 12 songs on this CD and I like quite a few of them like “Upgraded System,” “Room With A View,” and “Welcome to the 21st Century.” The lyrics all rhyme, but aren’t cheesy like so many bands. While they definitely aren’t hitting my G-spot for whatever reason, I can still say they are a pretty decent band. -LM

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The Nerve Agents
“The Butterfly Collection”

Hellcat/Epitaph Records

This band sounds like they passed through a wormhole in the late 80’s and ended up here playing hardcore punk in the style of that period. Actually, this is quite good, since I really like that type of thing. They capture the energy and grim sort of positivism from that era, and they have a somewhat dark sound teetering on a Rudimentary Peni comparison. Songs have interesting lyrics, like “What Then?” which contemplates the result of viruses becoming resistant to the antibiotics and medications that we use to eliminate them. I’d say you ought to get this if you are into that style of harder punk. They do it very well. - BL

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Thug Murder
“The 13th Round”

Flat/TKO Records 4104 24th St. #103 San Francisco, CA 94114

With a name like Thug Murder, you’re probably thinking its going to be yet another gangsta rap band, but you’d be more wrong than a man who thinks Pee-wee Herman would get your back in a bar fight. This is a three-piece, Japanese, all-girl street punk band that has an aggressive sound and a refreshing approach. While the English diction is bit confused, the vocals instantly grab you, moving quickly from an intense roar to catchy harmonies without missing a beat. Also, the songs have enough variation to make this CD listenable all the way through, instead of each song sounding like a slight variation of the previous tune. There is a cover of “I Fought the Law” on here, and even that doesn’t come off as yet another stale version. I strongly suggest that you wrap your bony fingers around this sucker and don’t let go. - BL

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The Legendary Invisible Men
“Come Get Some”

Dionysus Records

If this CD were a deep mine, not only would the canary live, we’d start dragging sickly ones down there to clear up their respiratory congestion. This is hard-hitting garage rock-n-roll with a touch of surf, due to ex-members of The Ghastly Ones and The Bomboras being in the band. There is a 60’s sounding church organ vibrating through several tracks, but it doesn’t ever overpower the really good, creative guitar work and the put-your-fist-through-plaster rhythms. All the songs are upbeat, so if you were hoping for a power ballad, you might be woefully let down. There is a song devoted to smoking pot though, so take your lighters out of the air and lay some flame on your bowl. I really dig this CD. - BL

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The Antiseen
“The Boys from Brutalsville”

TKO Records

If those burly whiskey-drinkin’ redneck bikers at your local bar started a band, this is what it might sound like. This band has more than 50 releases in their bellies, including an album with the late great madman of rock-n-roll, GG Allin. This stuff is as rudimentary and primal as you might expect. There are covers of “Six Days on the Road,” the Ramones’ “Commando,” and Screaming Lord Sutch’s “Smoke and Fire.” The lyrics on “Melting Pot” really shows their lack of critical thinking skills, as they advocate “everybody go back where they belong.” While I admire their political incorrectness, I reckon I don’t have the benefit of enough inbreeding to appreciate their ethnocentric point of view. Still, aside from my personal distaste for some of their ideas, this CD is okay, just nothing exceptional musically. - BL

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Billy Hancock & The Tennessee Rockets
“Shakin’ That Rockabilly Fever”

Bluelight Records - Box 153, 00171 Helsinki, Finland

This is a dang good traditional rockabilly disc, with some ferocious piano…think Jerry Lee Lewis. It’s all upbeat, swinging and filled with vocal hiccups and ripping guitar riffs. Billy Hancock was the singer and bass player for the late Danny Gatton when he was in Danny and the Fat Boys, so you know this guy has to have talent! This disc was recorded in the late seventies, but you would think it was a classic Sun recording: very authentic. There are 17 tracks on this album and it starts off with a very jumping tune “The Boogie Disease,” and goes on to a very ‘50’s love ballad titled “You Pass Me By.” One of my favorites on here is “Knock-Kneed Nellie” an obvious homage to Charlie Feathers. Hancock also adds a rockabilly flair to the old Muddy Waters tune “I Can’t be Satisfied.” I recommend this CD to fans of old Elvis, Jerry Lee Lewis and Charlie Feathers. A nice album. -LM

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The Hudson Falcons
“For Those Whose Hearts and Souls Are True”

GMM Records

The Hudson Falcons are not known for penning watered down lyrics that avoid touchy political topics in an effort to gain a larger fan-base. Mark Linskey, the principle song writer, is an actual Labor organizer for an Educators Union in New Jersey, so of course you’d expect these blue-collar punk rock revolutionaries to deliver more anthems for the working class on their second full-length release on GMM. And they do, but rest assured, they have not come up with a recycled version of their first album either. Instead there is a better production value and a real progression in the band’s sound that doesn’t forego what they did before, but rather builds upon it. New songs like “Fallen Heroes” and “Loyalty,” which is dedicated to the memory of a good friend of ours, continue to show their ability to add character and personality to their subject matter, rather than seeming like slogan-churning ideologues. “Requiem for a Patriot” reveals their nationalism not as just simply a blind adherence to pro-imperialist ideals, but rather as a pride based on the sacrifices of generations before us in the hopes of improving the quality of life, whether it be by serving their country working hard to achieve the American dream. As usual, the lyrics are delivered with Mark’s trademark raspy growl backed with 100 megatons of guitar provided by Uncle Chris. I also need to mention that this recording also showcases the addition of Ben and Craighton from the original line-up of the Brass Knuckle Boys, who joined the band last summer. Thanks to them, the rhythm section definitely has much added force compared to earlier recordings. There are also new versions of previously released songs like “I’m a Worker”and “Scab,” as well as an acoustic number called “Disciples of Soul” in which Mark sings with an outpouring of emotion and empathy. And while there is still the great Stiff-Little-Fingers-meets-Bruce-Springsteen feel to a lot of these songs, there is also a more rockin’ aspect to some of these tunes, as Linskey shows he ain’t afraid to cut loose on guitar with songs like “Sweet Rock-N-Rollin’ Bad Ass Bitch,” a Crowns-inspired breathe-taker that’ll have you grinning like an idiot as he blisters his fingers along the frets. One damned fine song. “Sleep, Drive, Rock’n’Roll, Repeat” is another rocker featuring some slide guitar provided by Uncle Chris, along with a primal rhythm that socks you in the gut. Again, great stuff with searing vocals. The last track is a Springsteen cover, “Open All Night,” that’ll take you to the edge and push you over into the Promised Land. With the Falcons you don’t get pretentiousness, they don’t put on airs, and they sure as hell don’t try and make it pretty and palatable for those with champagne and caviar tastes. These guys have real venom, real energy, and play songs with a driven sincerity. – BL

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Split Lip Rayfield
Self-titled CD (1998) & “Never Make It Home” CD (2000)

Bloodshot Records
Guest Review by Sugar

“If you wanna die with me, let’s go!” That’s a line from one of my favorite songs, San Antone, off of the ’98 CD. I’ll tell you what, you need to hang on for dear life when you listen to these CDs! Two words for you: PSYCHO BLUEGRASS!
The ’98 CD is primarily the three-piece of acoustic guitar, banjo, and tank fiddle (a homemade upright comprised of a gas tank, neck, and one weed-whacker cord tuned to G). The simplicity of the three-piece allows the breakneck speed of what they’re playing shine through. You’re not gonna believe how fast the acoustic guitar strums and the banjo picks.
But then on the 2000 CD, the mandolin player is back with the band, and if those guys play fast – he plays at warp speed! This disc begins with Movin’ to Virginia, a song with a mandolin hook that if it don’t snag you, you are one dead fish!
I can’t say enough about the beautiful harmonies of bluegrass, and SLR does those right too. As typical of bluegrass music, the songs will be about immensely sad stories, sometimes even gruesome. But when sung in such beautiful harmonies, you’ll find yourself happily humming along to a lyric about being hanged, as in the title track from “Never Make It Home.” That song also features an awesome kazoo solo as the tank fiddler displays his multi-talents! The song Crazy makes me wish I couldn’t identify with lyrics like this: “Nighttime drives me crazy, I bang my fist on the wall. She used to call me baby, now she don’t call at all.” Brings a tear to my eye every time – as does the wrencher off the ’98 CD, Pinball Machine. That one tells the story of a guy who takes a trip to Chicago to follow misguided dreams and takes too long to return home. His best friend calls him: “John, I know you wonder about yer babies and yer wife, pneumonia got yer babies and yer wife took her life.” I’m tellin’ you, it’ll get to you, but you gotta hear it sung in those harmonies – this black and white print can’t do it justice.
In a couple songs on the ‘98 CD you can hear the bass player smackin’ on the gas tank, which sounds real cool, like on Combine. This song has a great syncopated rhythm that will make you bop your head like a chicken – especially with the lyrics “find me a girl that can’t shoot straight, I’m gonna piss her daddy off when I take his daughter home late.”
I think you’d be happy with either one of these CDs, but happiest with both. Overall, their songs are about accepting your doomed fate, and they are sung with some breath-taking harmonies, cool rhythmic breakdowns, and super-sonic speed solos. Yeeeehaw!!

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The Mullens
“Tough To Tell”

Get Hip Recordings

The Mullens are a melodic, garage, sing-a-long band that has a melodic garage punk sound that reminds of both the 60’s and the 80’s. They aren’t hard, they aren’t new wave, they are happy-go-lucky and fun, kinda like the Ramones. There are 12 songs on this disc and all are originals written by the band members. I don’t think any ‘NSYNC fans would like this disc, which may be reason enough to like them. Most all the songs sound the same, same beat, same style; very repetitive...that gets kinda old, but still better than a swift kick in the backside. -LM

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The Gore Gore Girls
“Strange Girls”

Get Hip Records

These girls kick ass! An all girl trio that play gruff yet feminine garage rock. They would be the love children of Blondie and Jon Spencer...maybe what the Bengals would be if they had a clue. There are lots of great songs on here, including my personal favorite “I’m Gonna Get You Yet,” which has a very updated Supremes/Dixie Cups sound. Another excellent one is the last track “Getting a Room,” a fast paced, in your face, kicking the gas can over and catching the garage on fire track. Needless to say, I like this band a lot and listen to this disc on my own free will during leisure time. -LM

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The Vanilla Muffins
“The Power of Sugar Oi!”

Reality Clash Records
PO Box 491, Dana Point, CA 92629-0491

Whew! Do I have a sweet tooth and do the Vanilla Muffins satisfy my craving or what! They call themselves Sugar Oi!, but what they should be called is my new favorite band. You see, I was depressed, mulling around the apartment feeling generally dismal. I got this package and lo and behold, there was this disc. Feeling nothing could make my wretched existence worse, I put it on and abruptly became enraptured in the Power of Sugar Oi! Instantly, a smile lit up my face, I lost 15 pounds, the boil on my buttocks vanished! It was a miracle and I decided that there and then I was going to change my life. I started volunteering at the zoo, donating non-perishables to the food bank and sharing my Vanilla Muffins CD. Ever since that life altering day, I listen to the V.M. at least once a day for maintenance of my mental health. Seriously, this is some of the best, positive, enlightening music I have heard in a long time. Kinda remind me of the Addicts and the Business fused together. I think everyone will like these guys and if you don’t like them...then I will have a Christian pray for your soul cause I’m not going to, you crummy bastard. -LM

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R.L. Burnside
“Well, Well, Well”

M.C. Records

This disc is as raw as the Mississippi Blues can get, all live, all acoustic, all Burnside playing his guitar as though the strings were connected to his heart. The CD starts off with R.L. talking a bit about how he started playing guitar and singing the blues. You get treated for sure with R.L. doing his own arrangements as well as old standards like “Going Down South,” plus covering the best in blues like Muddy Waters, Lightnin’ Hopkins and Willie Dixon. You even get Burnside commenting on various tracks like his rendition of “Staggolee,” which is noted on the insert that it is “not suitable for airplay.” This is one of my most favorite blues albums. I sit back and close my eyes and listen to R.L. and become thick, southern air, full of lightning bugs or maybe a sad summer rain. This is for true fans of the blues, people who like it dirty and crude, not like Eric Crapton or the similar likes. -LM

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Flathead Mike and the Mercurys
Self-titled CD

self-released
flatheadmike@mindspring.com

This is a band to watch out for. While this CD is demo quality and just gives just a rough idea of what they are capable of, once you see them live you’ll realize they are explosive. The sound is an American-style punk rockabilly. I think once someone sees the potential in these guys their next disc will be a must-have. Any band that sings the praises of cow patties is alright by me. - BL

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The Generators
“Tyranny”

TKO Records 4104 24th st. #103 San Francisco, CA 94117

These guys are a five piece street punk band from Los Angeles that have an especially upbeat ,cheerful sound that hides the biting lyrics of vocalist Doug Dagger. The melodies are fun and catchy while maintaining the rough quality of underground rock. There are 12 songs that deliver up what your punk rock soul craves: snappy guitar, good rhythm and vocals that don’t sound like that diseased guppy, Dave Mathews (ick). While there are a few songs on here I skip past, altogether it’s a deserving CD that you should acquire. -LM

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The Bad Luck Charms
“Bad Luck and Heartbreak”

Zodiac Records
6611 Somerset St., HBG., PA 17111

Creed, BEWARE! You think you are the new face of Rock N Roll? Think again! The Bad Luck Charms are what rock music is all about. This quartet plays a bit of dirty, ‘billy, spaghetti, punk rock that could charm the pants off a priest. There are a lot of smashing tracks on here and one of my favorites is “One Man’s Ruin” - the way Kenn sings this reminds me of Ness. Not the vocal style, but the sincerity that Kenn has makes me choke up when I hear him sing. While there are a couple tracks I could do without, the rest more than make up for it. “When Night Falls” is a very ‘50’s inspired rock love anthem that features a saxophone player, “Bad Luck & Heartbreak” should be every greasers anthem, and there are impressive covers of “20 Flight Rock,” and “Lil’ Red Riding Hood.” I endorse this album for sure, BURN CREED, BURN! -LM

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Big Black Cat
Self-Titled

bigblackcat@cs.com

This 6 song CD has got some funny lyrics, as in the song “True Love Don’t Die,” which is about making love to your beloved deceased. Big Black Cat is a trio that has what I would consider to be a retro rock sound, kinda odd, but interesting nonetheless. You get the Elvis vocal vibe from the singer and there is an upright bass player, but I wouldn’t categorize them as rockabilly. “Cryin’” is actually very old style country and probably the best track on here. –LM

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V/A - O Brother, Where Art Thou
Universal Records

After watching this movie (based on Homer’s The Odyssey, but set in Mississippi), I ran out and bought this soundtrack. I play it at home and at work, I sing it in the shower and in my sleep. There are 19 tracks on here that will give you enough hillbilly to crowd a tractor pull. Since I don’t have cable, I didn’t know this until just recently, but there is a video on VH1 to the main song on this disc “Man of Constant Sorrow.” The film stars George Clooney, John Tuturro and Tim Blake Nelson as three escaped prisoners in the deep south in 1937, and this soundtrack compliments the film perfectly. There are different versions of “Man of Constant Sorrow,” an acoustic, a balls-out bluegrass, and an instrumental version. I still don’t know which is my favorite! There are the classics “You Are My Sunshine,” “Po Lazarus,” “Big Rock Candy Mountain,” and the old spiritual “Lonesome Vally” performed by the Fairfield Four. I was totally impressed with Alison Krauss whose angelic voice raptures my pagan soul on “Down to The River To Pray,” and then ironically temps my flesh when she joins up with Emmylou Harris and Gillian Welch to sing “Didn’t Leave Nobody But The Baby.” If you are a fan of old school folk, bluegrass and spiritual music or just want something different to add to your collection, try this CD out. -LM

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Sleepy LaBeef
“Tomorrow Never Comes”

M.C. Records

Well, the first thing I thought when I heard this was, man does this guy have a great voice. It’s nice, deep, and rich...a great voice for traditional country, and that’s what this disc is like. Being in his late 60’s, Sleepy captures the customary style of Cash, Haggard and Jennings but has a bit of a rock tilt in his music. There is a rendition of the old gospel “Will the Circle Be Unbroken” featuring guest vocalist Maria Muldaur. The classic surf tune “Wipeout” is covered as well as “Poke Salad Annie.” Sleepy mixes up the styles on here, one song being southern rock, one pure country, gospel, and also southern blues. There is a cool Chuck Berry cover as well, “Too Much Monkey Business,” which has a piano and a rocking bass slappin’ solo. This is pretty good, but doesn’t really have enough kick for me. -LM

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Symarip
“Skinhead Moon Stomp”

Trojan Records, 1995
Guest Review by Nancy Ballast

Yee hah. Ska the way it should be. Symarip's original single, "Skinhead Moon Stomp" had a ton of popularity, and they went on recording stuff that Skinheads in Britain liked in the 60's. (They recorded a lot of early ska standards, which were later covered by Oi bands, like "Skinhead Girl.") For some reason, though, Symarip never attained the following of other ska bands. In the liner notes, Trojan mentions their own "peculiar and diverse distribution methods" as one of the reasons why their first single was never a national hit. There are some pretty tunes here with great harmony, like "Must Catch a Train" and "Stay With Him". And there's fun tunes; the title track, a cover of "These Boots Were Made for Walking," and something called "Chicken Merry" which is too much on the jokey side for me. But even when they play lighthearted songs, Symarip manages to be consistent in singing and playing and sound like professional musicians.
It used to be that I wasn't willing to give ska a chance, and my main complaint was that the horn sections were annoying. And there are a ton of sound alike ska bands out there with too-blatty horn sections that don't play harmony. If this has been your worry about buying ska, don't let it trouble you if you get the chance to pick up this disc.

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V/A - American Fight Club No. 1
Outsider Records

The Authority kick off this 4-way split CD with a fast’n’heavy track called “Embrace the Hate,” which has an almost metal punch to it. They deliver a total of six tracks, which are pretty good hard-hitting street punk tunes, although a couple tracks drag a bit. Callaghan from Chi-town follows them with their unique brand of punk rock debauchery (and I mean that in a good way). One adjective comes to mind when I hear these guys: decadent. They just have that feel to ‘em, you know, kinda sneering tongue-in-cheek vocals and that don’t-give-a-fuck, your-shit-don’t-impress-me-much attitude. I am thinking of a band, or amalgamation of bands I could compare ‘em too, but nothing really comes to mind. Definitely different than the generic crap that clogs the airwaves - and a lot of punk comps. After their 8 songs are a bunch of live tracks by the Hudson Falcons from their radio appearance on WMBR in Cambridge, MA. They do two previously unreleased tunes: one called “Eucalyptamint” that has a strong 50’s rock-n-roll feel to it, and another called “Barrel of the Gun,” which is also a great tune. In addition there is a kick-ass version of Chuck Berry’s “Little Queenie,” and a slew of other originals from their previous releases. Wrapping up this disc is The Trends who play a good fast punk with catchy choruses. The vocals aren’t very rough at all and I wouldn’t listen to them everyday, but I still wouldn’t lump them in with the thousands of pop-punk bands out there. Some good stuff here. – BL

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Lars Frederickson and the Bastards
Hellcat Records

This album is a side project of Lars Frederickson from Rancid, and in the liner notes is a lengthy and moving dedication to an old friend of his that passed away. That said, this is a really good disc of some in yer face punk rock, yet it manages to mix up the sound and doesn’t get monotonous. Really, the only song I don’t like is a cover of Billy Bragg. All the others are upbeat and catchy without becoming poppy or sterile. Choice cuts are “Six Foot Five,” “Army of Zombies,” and a knuckle-busting cover of “Leavin’ Here.” This is worth getting your grubby paws on. - BL

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The Dropkick Murphys
“Sing Loud, Sing Proud!”

Hellcat Records

One thing I am sick of hearing is that the Dropkick Murphys were better with Mike McColgan singing than they are now with Al Barr from the Bruisers. I like “Do or Die” a hell of a lot. I cried like a little girl when he left the band, cursed God for letting it happen, and carved up my flesh with a pen knife to bleed for my fallen idol, but alas, I am over it now. Now that I have that off my chest, I have to say that this too is very good album – much better than their last effort, although I do like a handful of tracks off that one as well. While DKM started as more of a street punk/oi band with Irish tendencies, the Irish tendencies have really taken over with this release. They’ve added mandolin, tin whistle, and bagpipes throughout the disc, and even got Shane MacGowan, former singer of the legendary Pogues, to sing on their song “Good Rats.” And let me tell you, Shane sounds drunker than ever - no meager accomplishment for this notorious alcoholic savant. There are also two traditional Irish covers, “Wild Rover” and “The Rocky Road to Dublin,” both done in the spirit of the tunes, but played a lot harder. The Irish edge neither becomes too predominant for my tastes, nor does it come off as a gimmick, although I think I am pretty weary of covers of “Wild Rover.”
Anyway, not all the songs have the Irish feel. For example, “Fortunes of War” has street punk sound and is dedicated to the memory of Brian Deneke, who, as most everybody knows, was a teenage punk killed in Texas by some jock that later beat the rap. “The Gauntlet” is another great, steel-plated bruiser of a tune that has a much more punk-rock-n-roll feel to it. One of my favorite tracks, “Which Side Are You On,” is bare-knuckled number that begs the question “will you be a lousy scab or will you be a man?” The “Spicy McHaggis Jig,” however, takes a lighter tone telling the story of Spicy, their drunken Scot bagpiper who apparently has a soft spot in his heart, (and a hard part in his kilt), for women of the heavier variety. There is also an acoustic ballad called “The Torch” about a father passing down his hardened indifference and bitterness from a life of hard work and tribulation to his son.
The Dropkick Murphys have become known for their barroom sing-along choruses and rough-yet-infectious melodies, and this release proves to be no exception. There is even a new version of “Caps and Bottles,” done very well I might add, to really annoy the legions of McColgan purists out there. This is surely worth picking up. - BL

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The Briefs
“Hit After Hit”

Dirtnap Records / PO Box 21249 / Seattle, WA 98111

The press sheet for these guys describes them best: “New wave with bite…70’s style punk which discards the embarrassing tough guy posturing.” And nothing gets under my skin more than some skinny cracker trying to mask his insecurities by singing about how he can kick everyone’s ass. On the contrary, this disc immediately put me in a great mood when I put it in, and will definitely appeal to more than just 14 year-old boys trying to prove their manhood. It’ll simultaneously have you cracking a beer and a smile, with songs like “Silver Bullet” that commands you to “Kill Bob Seger right now.”
... I must obey… can’t fight it… too strong… must eradicate that sterile lump of putrefied flesh….

In addition to the programming of your mind made susceptible by the catchy song-writing and raw guitars, you get the short and cryptic song “Dolly Parton” to wrap things up. Dali Lama, Dali Lama, Dali Lama, Dali Lama, Dolly Par-ton! I will spend the rest of my days drawing the parallels between those two modern mystics. To sum up, I love this disc, buy it. - BL

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The Meteors
“Psychobilly Revolution”

Raucous Records

Here you have live material from the band’s visit to St. Petersburg Russia interspersed with snippets of interviews and promotions made during that excursion. It’s not always the best sound quality, but the raw energy does come through, and what the hell do you want, something as slick, overdubbed, and contrived as Peter Frampton’s “Music for Eunuchs” album or something? I realize that last comment may have offended you Peter Frampton fans out there, and I feel mighty bad about that, but then I really doubt either one of you are reading this. No, you are probably wanking off in some toilet stall at a Star Trek convention all dressed up like a Klingon warrior. Not that there’s anything wrong with that either, mind you, many a time have I dressed up like a fictional space creature to masturbate over a filthy public latrine. But let’s not discuss that now. Let’s refer to this Meteors album and finish up by saying that it is pretty good, but you might want to pick up some of their studio stuff first if you are just now getting into this classic psychobilly band. - BL

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The Dagmars
“We are the Dagmars and We Rule the World”

Raucous Records

I don’t know if these fellows rule the world, but in the off chance they do, I better write a good review. Actually, this EP isn’t bad. The first song is a cover of the Beastie Boys done as a sort of hillbilly stomp/rockabilly number. They also do a rockin’ cover of “Flyin’ Saucer Rock-N-Roll” and “Thirteen Women,” although I have always hated that song for some reason. “Honky Tonkin” is really good track though, and all in all, this is decent - just not something I will be listening to a lot. - BL

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Rocket 455
“Go To Hell”

Get Hip Recordings

This is garage rock done raw and dirty the way it should be, by this now defunct band from Detroit. It’s noisy stripped-down production and broken blues rhythms put me in the mind of Jon Spencer, but there is definitely a louder, discordant, and heavier element to it. Good chaotic music for street racing or self-mutilation. I think these guys are really an acquired taste, a sometimes difficult listen, but if you already dig this sort of music or feel adventurous, you’ll want to pick this up. - BL

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Reducers SF
“Crappy Clubs and Smelly Pubs”

TKO Records 4104 24th St. #103 San Francisco, CA 94114

As you may have guessed by the title, here we have some blue-collar punk rock tunes fit to raise a pint to. The disc was produced by Steve Burgess of Cocksparrer, and the songs all come off as upbeat but not fast or in your face, and are peppered with memorable guitar melodies that accent the punk rock rhythms. The songs are written more from a personal angle dealing with endless work stealing your life away, getting older and growing up, and inhabiting the smelly pubs mentioned in the title. There are a lot of singalong choruses and the recording comes off as … well… happy. And I think it should - there needs to be angry music to stir people to action, but there also needs to working-class tunes that offer some sort of refuge. Good tunes for a backyard barbecue or to stick in the player as you labor another day away. Worth checking out. - BL

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The Berlin Project
“The Transition Radio” EP

Orange Peal Records

You know, a bad review from us shouldn't be anything to get upset about. I am sure these are really nice people to drink coffee and eat bagels with, but I don't think I'll ever listen to their music again. It is very poppy/emo and I just can't get into that stuff. It hurts my feelings. It is well done for what it is. The band is pretty tight and so on. Blah-blah and so forth. - BL

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Angela Davis
“The Prison Industrial Complex”

Alternative Tentacles P.O.B. 419092/ San Francisco, CA 94141-9092

This is a lecture that was given at Colorado College in 1997 by the famed activist and intellectual, Angela Davis, who was once also a political prisoner. Here she offers, among other things, insights about the ever-growing and profitable prison industry: how it can be connected to the activities of transnational corporations, the war on drugs, the construction of “enemies,” and the over-representation of poor people and minorities as criminals. Since the fall of Communism as the great enemy of the nation, the “criminal” has become the target of demonization and our national fear: the criminal who is represented dominantly as a young Latino or black man, and increasingly as women of color. She also looks at how the immigrant has become an enemy - and not the European immigrants who constitute the majority, but people from third world countries. They seem to have become scapegoats for the transnational corporations, who cross national borders in their endless search for profits and move jobs out of the U.S. to exploit cheaper labors markets. Alternative economies, such as the drug economy or prostitution for example, are often what are left for the lower-classes to participate in. In place of the migrating corporations, the prison industry has cropped up to feed off those who are involved in alternative economies. What is most disturbing is that communities actually invite prisons because of the jobs they bring, meaning that prisons are quickly becoming an important part of our economy. Of course, that means more and more people can be expected to become incarcerated in the future. A wonderful thought, isn’t it? Fortunately, she winds up her talk with ideas of what can be done to improve this situation: like establishing communication with prisoners, focusing on biased media representations, corporate activities, and government policies, as well as the long-term goal of reforming the educational system. This is just a rough idea of the ideas Ms. Davis presents on this compelling recording. I recommend acquiring this disc.

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